Colección F2126 - Trinity College Dramatic Society Collection

Abrir original Objeto digital

Área de título y declaración de responsabilidad

Título apropiado

Trinity College Dramatic Society Collection

Tipo general de material

Título paralelo

Otra información de título

Título declaración de responsabilidad

Título notas

Nivel de descripción

Colección

Institución archivística

Código de referencia

CA ON00335 F2126

Área de edición

Declaración de edición

Declaración de responsabilidad de edición

Área de detalles específicos de la clase de material

Mención de la escala (cartográfica)

Mención de proyección (cartográfica)

Mención de coordenadas (cartográfica)

Mención de la escala (arquitectónica)

Jurisdicción de emisión y denominación (filatélico)

Área de fechas de creación

Fecha(s)

  • 1985 - ? (Criação)
    Creador
    Trinity College Dramatic Society

Área de descripción física

Descripción física

1.48 m of textual records and other material

Área de series editoriales

Título apropiado de las series del editor

Títulos paralelos de serie editorial

Otra información de título de las series editoriales

Declaración de responsabilidad relativa a las series editoriales

Numeración dentro de la serie editorial

Nota en las series editoriales

Área de descripción del archivo

Nombre del productor

(1895 -)

Historia administrativa

A Trinity College Dramatic Club was formed in 1892 at the University of Trinity College (Toronto, Ontario), apparently under the auspices of Lally McCarthy (a Trinity College
graduate of the same year). The Dramatic Club produced plays in Toronto and toured Guelph, Woodstock, Brantford, and Hamilton in 1894, ultimately bankrupting itself later that year.

The Trinity College Dramatic Society (TCDS) is known to have existed as early as 1919, with annual productions beginning in 1921. Little is currently known about dramatic activities at the University of Trinity College during the years between the insolvency of the Dramatic Club in 1894 and the emergence of the TCDS, but a few records exist – and are described within this collection – testifying to the existence of dramatic activities, however casual, during those years.

In 1921 the operation of the Hart House Theatre at the University of Toronto was transferred from The Player’s Club to the Board of Syndics. Trinity College had federated with the University of Toronto seven years earlier and sought to obtain the Hart House Theatre, under its new management, as the venue for its annual productions. Since the opening of the George Ignatieff Theatre (GIT) in 1979, it has formed the main venue for the TCDS’ productions. However, plays have also been held in Cartwright Hall (at Saint Hilda’s College), the quadrangle, Seeley Hall, and the chapel.

Over the years, the TCDS’ activities have increased. At first, one play was produced per year. Later, two or three additional short or student-authored plays were also produced per year. Nowadays several major productions are mounted every school year, as well as special events such as an orientation (or frosh) week play and “Shakespeare in the Quad.” The TCDS arranges the College’s contributions to various intra- or inter-university drama festivals and organizes events such as play readings, workshops, screenings, revues, and parties. Every year, the TCDS celebrates students’ involvement in dramatic endeavours with the “Iggies” (short for “Ignatieff”), an award ceremony in the style of the Academy Awards, where students are presented with “Iggy Awards.”

All students of Trinity College are automatically members of the TCDS and events are mainly student-run. An elected executive handles the administration of the TCDS.

Historial de custodia

Records which now comprise this collection were previously a myriad of small accessions received from almost as many sources, including students, alumni, faculty, and staff. In some cases the donor of the material is unknown. However, in many instances not only is the donor known, these donors were involved in the production to which the records they donated pertained. These donors were directors, stage managers, make-up designers, set designers, lighting designers, actors, TCDS Executive members, theatre managers, and so on. The multitude of tiny accessions were not conducive to access or the astute management of the records over time, and often were of less significance by themselves than in relation to other TCDS records (that is, they did not already form parts of meaningful fonds) so this collection was created.

Alcance y contenido

This collection consists of scrapbooks, administrative records, and records of productions and events. Records of productions and events comprise the bulk of this collection and include programs, posters, scripts, newspaper clippings, sound recordings, photographs, and more.

Área de notas

Condiciones físicas

Origen del ingreso

As described in the “acquisition history” note above, this collection has been created from many sources. It would be impossible to determine all of the donors who contributed material that is now in this collection, but a fairly comprehensive list has been established and is given in the “Provenance access points” field.

Arreglo

Arrangement of most series and files was imposed by the archivist. In many cases, original order had been lost or was indiscernible. Within some files, original order has been preserved, as in the case of most administrative records. Scrapbooks are also in their original arrangement. As a consequence of the rearrangement of materials, all file titles were supplied by the archivist. Square brackets, i.e. [ ], were only used when information on the file title was guessed or determined from outside sources, in addition to other notations (such as question marks) in accordance with Rules for Archival Description.

Idioma del material

Escritura del material

Ubicación de los originales

Disponibilidad de otros formatos

Restricciones de acceso

Open

Condiciones de uso, reproducción, y publicación

Various copyright holders. It is the researcher's responsibility to obtain permission to publish any part of the collection.

Instrumentos de descripción

Materiales asociados


  • Unprocessed photos, including photos of TCDS events, can be found in

accession 1985-0071 of fonds 2129 (W. Lyndon Smith).

  • Correspondence between the TCDS and Caput can be found in accession 1985-

0141 of fonds 2176 (Caput).

  • Materials in multiple media related to productions of Saints Alive in 1949, 1952,

1974, and 1989 can be found in accessions 2003-0013 and 2008-0027 of fonds
2304 (Donna J. Haley).

  • Relevant correspondence can be found in accession 2004-0037 (from Mary K.

Bull).

  • Clippings which mention Hart House productions Britannicus, Children of

Darkness, and Tiger at the Gates can be found in accession 2004-0012 of fonds
2271 (Marion Magee).

  • A subject file on the TCDS can be found in accession 1991-0012 of fonds 1008

(Dean of St Hilda’s College).

  • Material related to drama (but not really the TCDS) can be found in accession

1985-0188 of fonds 2089 (William Selby Rogers).

  • Photos of the performance of Aristophanes’ Frogs in 1902 (P1193).

Materiales relacionados

Acumulaciones

Further accruals are expected.

Identificador/es alternativo(os)

Área de número estándar

Número estándar

Puntos de acceso

Puntos de acceso por materia

Puntos de acceso por lugar

Puntos de acceso por autoridad

Tipo de puntos de acceso

Área de control

Identificador de registro de descripción

Identificador de la institución

Reglas o convenciones

Estado de elaboración

Nivel de detalle

Fechas de creación, revisión o eliminación

Idioma de descripción

Escritura de la descripción

Fuentes

Objeto digital (Ejemplar original), área de permisos

Objeto digital (Referencia), área de permisos

Objeto digital (Miniatura), área de permisos

Área de Ingreso

Materias relacionadas

Personas y organizaciones relacionadas

Lugares relacionados

Tipos relacionados