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The fonds consists of correspondence and papers, reports, scrapbooks of newspaper clippings, photographs, tapes and films, related to Allan Grossman's political career, community work, and family life.

The fonds consists of some typescript, corrected reports and research papers by Edith Ferguson (1948-1977), as well as published copies of some of them. There are also several volumes dealing with immigrant, integration and multiculturalism issues, novels, and reports from research institutes, government organizations, charitable bodies, and others involved in the immigration and integration fields (1929-1983). There are also some newspaper clippings relating to immigration and multiculturalism in Canada.

Fonds consists of more than 60 letters, newsletters, poems, and greeting cards written by Margaret Laurence to Ian and Sandy Cameron, as well as a copy of Laurence's will. The correspondence discusses Laurence's work as a writing instructor and speaker at the University of Toronto, her relationship with other Canadian writers and Clara Thomas, her move from Toronto to Lakefield, and her involvement with the Writers' Union of Canada conference in Ottawa in November 1973. Laurence comments extensively on her own works and her efforts to encourage other writers (including Ian Cameron), her efforts to produce a recording of songs with her lyrics and Cameron's musical score to accompany "The diviners," the film contract based on this novel, and her elation at winning the Molson Prize in 1975. The correspondence also discusses her divorce from Jack Laurence, her relationship with her children, and her views on social and generational change. The correspondence is accompanied by nine vinyl recordings given by Laurence to the Camerons that feature European classical music, African palm wine music, and Ghanian highlife music. The fonds also contains five letters from John Ruskin, the Victorian writer and art critic, to Kate Towney and Arbuthnot Cameron, 1865-1867, regarding Towney's marriage and financial affairs, mineral collecting, and ideas from Ruskin's book, "Modern painters." These letters are accompanied by notes and transcripts, as well as a letter written in 1907 regarding the Ruskin correspondence.

The fonds mainly documents bill bissett's activities as poet, visual artist, musician, and editor of Blewointment Press. The fonds consists of the following series: Personal papers, 1948-1999; Professional papers, 1962-1992; Material by and about others, 1967-1992; Photographs, 1962-1992; Memorabilia; Sound recordings, 1967-1992.

The fonds documents Andrew Tomcik's career as a professor, graphics designer and consultant. It includes correspondence, writings, design examples, design work and posters created by Tomcik for corporate clients and York University, such as silkscreen and lithographic pieces. Also included are prints, notes, clippings, conference material, student projects, teaching files for his history of design course, design books and magazines.

Fonds consists of personal and professional correspondence, clippings, programmes and related material that document Grossman's career as a dancer with the Paul Taylor Dance Company as well as the founding of the Danny Grossman Dance Company. It also includes contracts, grant applications and other financial records, citizenship papers, passports and other collected ephemera.

Fonds consists of the professional records of Jean Augustine, including documents, reports, speech notes, press releases and publications relating to her activities as a community activist and volunteer; a elementary school teacher; her administration of the Metro Toronto Housing Authority; her participation on various international, national, provincial and municipal advocacy boards organizations and associations; and her activities as a federal politician and member of cabinet.

Fonds consists of files relating to Larry Zolf's activities as journalist and writer and to his career with the Canadian Broadcasting Corporation. The fonds includes personal and professional correspondence, drafts of television programs, magazine articles, dramatic works and reviews, notebooks, research files, diaries and financial records. It also includes draft manuscripts, research material, and correspondence related to his books "Dance of the dialectic," "Just watch me : remembering Pierre Trudeau," "Scorpions for sale," "Zolf," and "The Dialectical dancer," as well as for his online column, "Inside Zolf."

Fonds consists of Anthony Richmond's records pertaining to his career as a scholar and includes his research files, professional files, manuscripts, as well as his personal files.

Fonds consists of personal files containing correspondence, articles, photographs, certificates, etc. relating to Ernest Bartlett's family and career with the Toronto Telegram.

Fonds consists of business records of The Isaacs Gallery (TIG) (1942-1991), consisting of correspondence, exhibition catalogues, mailings and financial records (1984-1986); artist files (1961-1988), consisting of correspondence, biographical sketches, press clippings, and other material relating to artists represented by Isaacs (e.g., Dennis Burton, Graham Coughtry, William Kurelek, Michael Snow and Joyce Wieland) and some who were not represented by him; artist portfolio files (1955-1988), consisting of press clippings and catalogues of their works; and promotional files (ca. 1960-1989) relating to the Isaacs Gallery.

The fonds documents Clayton Ruby's activities as a lawyer and activist. Records consist of professional correspondence and subject files. General correspondence is mostly with politicians, colleagues, and the Law Society. Subjects file topics include: the Law Society, Advocates Society, Amnesty International, Conferences, Law Reform Commission, Canadian Institute for the Administration of Justice, and the Charter of Rights Education Fund. Also included are various photographic portraits of Clayton Ruby.

Fonds consists of copies of published and unpublished papers, journal articles, conference papers and reviews written by Lessem, course material, a copy of his M.Litt thesis, "The Style and Structure of Frescobaldi's Keyboard Ricercari and Fantasias", and other material that documents his career as an academic.

The fonds consists of printed material, correspondence, photographs, slides, and related material of the Centre for Experimental Art and Design. The correspondence includes: correspondence with artists, galleries and other arts groups in Canada and overseas, dealing with CEAC exhibitions, CEAC-sponsored travelling shows, and communications concerning gallery events. There is also material dealing with granting agencies, including the Ontario Arts Council and the Canada Council. Also included is correspondence relating to the OCA and CC decisions to suspend funding to CEAC, letters of reaction from CEAC members and supporters. The fonds also has grant proposals and covering documentation, and other material. The fonds also contains various documents written by members of the collective defining the 'new ideology' which would usurp the cultural and political elites, define a post-modern aesthetic. There is also material on related artistic and intellectual ideas. There are newspaper clippings of CEAC events and exhibitions both from Canadian and foreign newspapers, invitations to events, flyers and other announcements of forthcoming events, and clippings about other performance and avant-garde arts in other cities and countries. The photographs and slides concern performances at CEAC, including material related to 'Crash and Burn'.

The fonds consists of memoranda from the Committee for an Independent Canada to members, and a series of policy papers on corporate accountability, natural resources and the visual arts in Canada.

The fonds consists of correspondence, notes, and notebooks concerning university courses taught by Barry Cooper and his academic career at York, 1965-1981. There is also personal correspondence, 1965-1966; typescripts and printed articles, and the manuscript of a book on Maurice Merleau-Ponty.

The collection consists of the Ontario Folklore Archives which includes student essays and cassettes of folklore in Canada. Subjects discussed in the student essays include folk medicine, folklore from regions in Ontario and Canada (Oshawa, Ontario, Feversham, Ontario, Newfoundland), from cultural groups (Jews, Ukrainians, French Canadians), musical folklore, social folklore (children's jokes, urban graffiti), and related topics. In addition, there are recordings on audio cassettes and audio reels of Scottish folk songs and customs, old-time fiddling, songs of the Scottish regiment and of other subjects.

The fonds consists of correspondence, minutes, reports, financial records, and Bryce M. Taylor's related material of the XV Olympic Winter Games Organizing Committee, and the Canadian Olympic Association, (1983-1988), detailing the planning for the 1988 Calgary Winter Olympics. It also includes material from the National Advisory Council on Fitness and Amateur Sport, including correspondence, minutes of meetings, annual reports, (1986-1987). In addition, there is material from the Canadian Gymnastics Association, (1975), and proposals for athletic programmes at York University, including a proposal for football (1967).

The fonds mainly documents Ernesto Vinci's career as a singer. It also partially documents his activities as a teacher at the University of Toronto.

The fonds consists of records pertaining to Archibald Henry Woods' activities with the Co-operative Commonwealth Federation Council (CCF). The fonds includes minutes of meetings, 1945-1946; correspondence and papers, 1946; reports, 1946; newspaper clippings, 1936-1945.