The fonds consists of materials related to Deane Cameron’s professional career in the Canadian music industry ,predominantly as President of EMI Canada and as a member of various national music associations and committees. It also consists of material relating to Cameron’s personal life, including correspondence, photographs and ephemera, much of which involves musicians or individuals in the music industry.
Sem títuloThis collection consists of extensive personal correspondence, concert documents, scores, manuscripts, recognition, primary publications, secondary publications, university papers, photographs, recordings, memorabilia and artifacts mainly relating to the private and professional lives of Gustav Mahler, Alfred Rosé, Arnold Rosé, Alma Rosé, Bruno Walter, Justine Rosé, and Maria Rosé. Other material relating to Alma Mahler-Werfel, Marie Mahler, Otto Mahler, Maria Rosé, Albine Adler, Dorothy Beswick Hetherington, Lorraine Busby, Jacob Dont, Martha Freud, R.A. Loederer, Nora Nathan, Richard Newman, Richard Strauss, and Arturo Toscanini are included. Also included are materials in the collection whose connection is unclear
Sem títuloThe fonds includes Minute Books, Tweedsmuir Histories and scrapbooks.
Sem títuloCollection consists of material collected by Paul Delaney in his research for his book After the Fire and during his many years as both an employee of Sainte-Marie among the Hurons and as a member of the Friends of Sainte-Marie.
Sem títuloThis fonds consists of programmes, rules and regulations, membership records, annual reports, minutes, correspondence and research material of the Lyceum Club and Women's Art Association of Peterborough.
Sem títuloFonds consists of an accumulation of files kept by several different members of the Canadian Association of Professional Dance Organizations which have been maintained in the manner in which they were received. They contain correspondence, minutes, reports, financial records, items used for publicity, resource material and other material.
Sem títuloThe fonds documents Andrew Tomcik's career as a professor, graphics designer and consultant. It includes correspondence, writings, design examples, design work and posters created by Tomcik for corporate clients and York University, such as silkscreen and lithographic pieces. Also included are prints, notes, clippings, conference material, student projects, teaching files for his history of design course, design books and magazines.
Sem títuloThe fonds consists of Bonnie Burnard's research material, notes, manuscript and typescript drafts, galley proofs, cover art and other material related to the Canadian and American editions of her novel A Good House.
Sem títuloThe fonds consists of McInnis' publication files, including scholarly articles and correspondence, drafts, research notes, photographs, and other material for "The Long Cold Peace: Treaty Making after World War II", "The East", "Canada: A Political and Social History", "North American Nations", and other works. Fonds also includes professorial files documenting his teaching at the University of Toronto and York University; Canadian Institute of International Affairs files; research files; and other material reflecting his varied interests in history, current events and world politics.
Sem títuloCollection consists of archival material included in the Wyndham Lewis Collection. Consisting of batches of letters from Lewis' widow, Anne Wyndham Lewis (Froanna), news clippings on various aspects of Lewis' public activities (book reviews, criticism, artwork, obituaries), and promotional material relating to his publications (publishers' advertisements, inserts, and other ephemera).
Sem títuloFonds consists of newspapers, photographs, financials, and personal documents relating to the professional and private lives of Carl Mantz, including his wife Elizabeth Gibson. Included in the fonds are records pertaining to the purchase and maintenance of the Whitby Weekly News building, correspondence and letters regarding his enlistment in the RCAF, programs and background information for the Ten Centuries concerts, and the meeting minutes for his initiatives concerning Whitby senior citizens. Of particular interest are the newspaper photographs which represent various events, people, and places of Whitby in the 1950s and 1960s. The fonds is composed of the following series: Elizabeth G. Gibson records, 1969; Personal records, 1931-1980; Community Involvement records, 1962-1975; Financial records, 1938-1971; Clippings; and Photograph 1950s-1960s.
Sem títuloThe fonds is organized in the following series. Those series most pertinent to Gerry’s work and interest in canoes and history are Series A to F. However, the photographic collections found elsewhere contain many shots related to canoeing history. The papers are also distinguished by materials related to the lives of his parents and grandparents and his uncle, Mel Sucee.
A. Wooden Canoe Heritage Association, 1993-2003 (Files 1-120, 902- ) 1.5 m
B. Heritage Canoe Festival, 1985-1996 (Files 121-157) 25 cm
C. Canadian Canoe Museum, 1990-2003 (Files 158-165) 7 cm
D. Peterborough Centennial Museum and Archives, 1986-1987 (Files 166-169, 585-586) 5 cm
E. Peterborough Historical Society, 1987-1998 (Files 170-192) 20 cm
F. Peterborough Canoe History, 1976-2003 (Files 193-519, 587-593) Research materials from 1850s to present 1.5 m
G. Cottage life, 1977-1992 (Files 520-558, 797, 898-901) 45 cm
H. Bell Canada, 1970-1995 (Files 559-565) 13 cm
I. Mary and Gerry Stephenson, 1938-1993 (Files 566-584; 594-622) 35 cm
J. Gerry Stephenson photographic, 1967-2000 (Files 623-720, 773) 60 cm
K. Gerry Stephenson slides, 1949-1993 (Files 721-757) 25 cm
L. Dainard family, 1951, undated (Files 758-764) 5 cm
M. Fred Stephenson and family, 1940s-1990s (Files 765-796, less 773; 809-829; 867-885, 897) 35 cm
N. Joseph Sucee family, 1904-1930 (Files 798-808, 886-896) 15 cm
O. Mel Sucee, 1890s-1940s (Files 830-866) 10 cm
P. Mel Sucee, moving film collection
Fonds consists of materials created by the Capitol Theatre Foundation over the course of renovations of the historic movie theatre, in Port Hope, 1992-2004.
Sem títuloItem is a quilted wall-hanging, showing buildings of Port Hope. The buildings depicted on the quilt are as follows: Dunain, Belgrave's Water Tower (Greenwood Towers), The Octagon House, Pinehurst, The Bluestone, The Cone, St. Mark's Anglican Church, Port Hope Harbour, Town Hall, Robert Mitchell House, Forge Cottage, Chapel at Trinity College School, Walton Street, Viaduct, Ganaraska River, Wimbourne, North American Hotel, Methodist Church, United Church, CN Railway Station and The Belvedere. It was created by Betty Kerr (d. 2001) in 1984 to celebrate Port Hope's Sesquicentennial.
Sem títuloSeries includes hand-painted posters used to advertise movies at the Capitol Theatre, Port Hope.
Collection consists of five (5) copies of the "Our Commander March" Sheet Music written by J.W. Chadwick, 1916. The March was dedicated to Lieut-Col. R.W. Smart of the 139th Battalion, Port Hope; and published by Empire Music and Travel Club Ltd., 26 College Street, Toronto.
The collection consists of financial papers, genealogy books, scrapbooks, newspaper clippings, postcards, business cards, music books, horoscope, poll book, address books, ledgers, notebooks, birthday cards, letters, photos/photo album, cartoons, highschool entrance exam, recipe book, stamp book, programs/brochures/concerts, dance cards, yearbooks, certificates, reciepts, invitations, membership cards and text book/teaching book.
Sem títuloThe collection contains sheet music of some classical music, but consists mostly of popular tunes arranged for piano. Included are parlour pieces from the gay ‘90's; favourites from the Edwardian period; songs of the First World War; hits from the early days of recorded music; and music made popular by performers of early days of radio (1920's and 1930's). Some of the cover designs are as interesting as the music. Fonds is comprised of the following series: Mary Daly sheet music Beatrice Baughan sheet music Miscellaneous sheet music
Sem títuloSous-fonds consists of artwork created by Sister Marie Celine Janisse, including pencil sketches and originals and prints of watercolour paintings. There is also personal correspondence, poetry, journal entries, and reflections, written both during and after her missions in Peru and Nicaragua. There are photographs, the majority in albums, of Sister Marie Celine’s artwork and of the Sisters with whom she worked. There is also a journal kept by Sister Marie Celine during a trip to the Holy Land.
Sem títuloThis series contains records created and accumulated by the office of the General Treasurer for the Sisters of St. Joseph in London, Ontario. The records are primarily related to managing the donations given by and to the Sisters and the funding for their ministries, missions, Motherhouses, residences, and outreach projects. In London, St. Joseph’s Hospitality Centre provided food security programs, Medaille Retreat House was a spiritual retreat centre for the Sisters, the Queens Avenue building was a home for women in need, and the Boulee Street house was a ministry to the poor. The Adult Spirituality Centre, St. Joseph’s Manor, the Foster Home on St. Rose Avenue, and Holy Rosary Convent were all in Windsor. St. Joseph’s Manor and the Foster Home were ministries to children in need and Holy Rosary Convent was the main convent for the Windsor Sisters. The Adult Spirituality Centre in Windsor provided spiritual direction and retreats. Another spiritual retreat, Marygrove, was in Aylmer. Outside of Ontario, there are records concerning the Photo History Project at Ataguttaaluk School in Igloolik, Nunavut in which Sister Mary Diesbourg participated, the Sisters at St. Joseph Regional House in Edmonton, Alberta, and the mission in Peru including the collaboration with Heart-Links, a London based charity focused on Peru.
The series includes reports, meeting agendas and minutes, mission statements, budgets, floorplans, funding proposals and requests, grant applications, forms, lists of Sisters involved with specific projects and sites, and correspondence concerning funding, donations, location changes, operations, and testimonials from the public supporting the Sisters’ projects. There are also resolution agreements from the Sisters’ projects. One agreement is with the sole shareholder of a company connected to a property owned by the London congregation, Marygrove, concerning the finances and leadership positions within the company. The other agreement is between the Sisters of the Holy Names of Jesus and Mary and the Sisters of St. Joseph to decide the future of the Adult Spirituality Center.
One of the ways that Sisters could request funding for their ministries from the congregation was through the Apostolic Services Fund. Arrangements for the creation of this fund, outlines of requirements to qualify for funding and funding applications are included.
Not all the material is concerned with finances. Some records pertain to other projects the General Treasurer was involved with, particularly when Sister Loretta Manzara held the office. In 2007, the Sisters moved from Mount St. Joseph to a new LEED certified residence at 485 Windermere Road. in the series includes records related to this transition such as the Sisters’ Statement of Values, reports, pamphlets, news clippings, an issue of London Citylife, and newsletters (one of which was titled Crossing Over). There is also material concerned with the sale of Mount St. Joseph, the former Motherhouse.
At the 2012 Foundation Day, the Annals Project was presented. It focused on a shift from keeping annals to looking at the life of the entire congregation as expressed through Chapter reports. Pamphlets, agendas, meeting minutes, and a report on this project are present. Accompanying this material are annotated photocopies of various reports covering the Sisters’ activities from 1959 to 2011 which were referenced for the project.
Records related to the London Sisters’ involvement in Goderich, Ontario are also present, such as correspondence and pamphlets about their commitment to the area and the 100th anniversary of the founding of the first convent outside London.
The series also includes descriptions of icons painted by Sister Mary Anthony Hartleib, as well as prints of some of her artwork (including on the back of her funeral card), and photographs of artwork by Philip Aziz. Other photographs in the series are from the mission in Peru and of students and elders in the report for the Photo History Project at Ataguttaaluk School.
Sem título