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Series consists of various research materials compiled by S. Peacock in the process of publishing "The Great Farini," 1996. It includes: (1) Illustrated News London; (2) Farini & Lulu; (3) Farini and others - various publications; (4) Copy - Clements, A. J. "The Kalahari and its Lost City" 1967; (5) Accounts of Human Cannon Ball and copies from books, regarding Farini and Lulu, Niagara Falls; (6) Non Farini clippings, accounts of other acts; (7) Circus Animal acts - dogs, elephants, horses; (8) Farini at Niagara Falls; (9) Krao - curious acts, c. 1887 "the missing link"; (10) Miscellaneous copies from "clipper"; (11) Correspondence - re Farini & Krao; (12) Correspondence to Dr. Gordon Brown & note; (13) London Variety Halls, copies and notes; (14) Dr. G. Brown's rough notes - Farini, Krao; (15) Miscellaneous Papers with Farini references; (16) Bannerline periodical, 1968-69, non inclusive; (17) Elnimo; (18) Farini Research Tapes; (19) Krao,Circus advertising; (20) "Freakshows" - modes of exhibiting human curiosities for profit and Exhibiting People with Mental retardation for amusement and profit, 1850-1940, by Robert Bogdan; (21) "Life as a Boy" William Hung, Archives of Ontario; (22) Miscellaneous Papers "The Review" 1979, Barnum and circus information, correspondence.

Series consists of research notes compiled by S. Peacock during the publication of "The Great Farini," 1996. It has been arranged into forty-seven (47) files: (1) Early years: ca. 1859-1960s, miscellaneous note; (2) Niagara Falls; (3) Blondin; (4) New York "Clipper" notes and articles, 1857-1897; (5) Farini's childhood and youth - Lockport, New York; Hope township, Bowmanville; (6) Published short biographies; (7) Autobiography; (8) North American Circus days 1860-1862; (9) North American Circus days 1863-65; (10) North American Circus days 1872-79; (11) North American Circus days 1880-89; (12) North American Circus days 1860-90, miscellaneous; (13) British Showman days, 1866-1898; (14) British Showman days, 1865-69; (15) British Showman days, 1866-98, miscellaneous; (16) British Showman days, 1870s; (17) British Showman days, later days; (18) Inventions, includes Knapp roller boat, patent copies; (19) Kalahari Desert Expedition; (20) Lulu - Louis Farini, aka Sam Wasgott, El Nino and Lu Farini; (21) Farini and the American Civil War; (22) Farini's Stilt Walk at Niagara Falls, 1864; (23) Toronto, 1899-1910; (24) Personal Correspondence, 1879-1927, copies of letters and postcards to and from Farini, his wife, son, brother, niece; (25) Farini's land ownership information, Hope Township, Port Hope, London, Toronto, Dresden, etc; (26) Farini's Art; (27) Farini's poetry, short stories, essays & others, writings; (28) Farini's history of World War I; (29) "How to Grow Begonias"; (30) Anna Muller Farini's diary, 1917; (31) Anna Muller Farini's translation; (32) Record copy of Anna Muller Farini's photo album; (33) stock and investments; (34) Farini's death; Krao's death, interview notes; (35) 1945 Estate sale; (36-37) Genealogy, Farini, Hunt, Soper and Marsh; (38) Farini's sons; (39) Alice Carpenter Farini; (40) Mary Osborne; (41) Chronology, 1762-1995; (42) Correspondence to research institutions by other researchers before Shane Peacock; (43) Inventory and notes of Farini Papers at Archives of Ontario; (44) Bibliographic sources - British; (45) Scattered Bibliographic information; (46) Record copies of photographs; (47) Photocopies of images and information from books, sources listed.

Collection consists of five (5) copies of the "Our Commander March" Sheet Music written by J.W. Chadwick, 1916. The March was dedicated to Lieut-Col. R.W. Smart of the 139th Battalion, Port Hope; and published by Empire Music and Travel Club Ltd., 26 College Street, Toronto.

File consists of one (1) copy of "Richard Outram: Essays on His Works," edited by Ingrid Ruthig. Outram's biography on p. 207 features direct references to the history of his family and life in Port Hope, ON.

File consists of one (1) copy of the programme for the Trinity College School production of the Broadway musical "Little Shop of Horrors." It was produced by the school from 29 Feb through 3 Mar 2012.

Series consists of Watson's written material, including early drafts, manuscripts, typescripts, page proofs, metatext and relevant correspondence with editors, including the following sub-series:
2.1. Manuscripts of novels
2.2. Manuscripts of Short Stories
2.3. Manuscripts of poetry
2.4. Manuscripts of non-fiction

Series consists of eight files of typed page proofs by Watson of various issues edited by her, including artwork and book covers by Norman Yates, illustrations by bpNichol, and Photographs by Roy Kiyooka and Stephen Scobie.

Sub-Series consists of handwritten letter drafts and typed copies of Watson's outgoing letters, including letters of recommendation, correspondence with thesis students, letters to friends and family and letters to her husband Wilfred Watson. The Sub-Series has been arranged alphabetically by primary correspondent, and then chronologically.
Detailed file-level descriptions are available upon request.
Files include:
2006 01 88 Anderson, Paula Grace
2006 01 89 Angus, Anne
2006 01 90 Blott, Anne
2006 01 91 [Bowering], Angela
2006 01 92 Bruce, Elizabeth
2006 01 93 Gershater, [Jeanne]
2006 01 94 Marken, Ronald
2006 01 95 Masten, Cathy
2006 01 96 McLuhan, Elizabeth
2006 01 97 McLuhan, Marshall
2006 01 98 Meeker, Dr. Joseph and Robert J. Thaler
2006 01 99 Mitchell, Norah
2006 01 100 New York Herald-Tribune, The
2006 01 101 Sharpe, David
2006 01 102 Shemeluck, Myrna
2006 01 103 Singleton, Marvin
2006 01 104 Tiessen, Hildegard
2006 01 105 Watson, Wilfred
2006 01 106 [Watt], Sandra
2006 01 107 Unknown recipients

The collection consists of financial papers, genealogy books, scrapbooks, newspaper clippings, postcards, business cards, music books, horoscope, poll book, address books, ledgers, notebooks, birthday cards, letters, photos/photo album, cartoons, highschool entrance exam, recipe book, stamp book, programs/brochures/concerts, dance cards, yearbooks, certificates, reciepts, invitations, membership cards and text book/teaching book.

The collection contains sheet music of some classical music, but consists mostly of popular tunes arranged for piano. Included are parlour pieces from the gay ‘90's; favourites from the Edwardian period; songs of the First World War; hits from the early days of recorded music; and music made popular by performers of early days of radio (1920's and 1930's). Some of the cover designs are as interesting as the music. Fonds is comprised of the following series: Mary Daly sheet music Beatrice Baughan sheet music Miscellaneous sheet music

Sous-fonds consists of artwork created by Sister Marie Celine Janisse, including pencil sketches and originals and prints of watercolour paintings. There is also personal correspondence, poetry, journal entries, and reflections, written both during and after her missions in Peru and Nicaragua. There are photographs, the majority in albums, of Sister Marie Celine’s artwork and of the Sisters with whom she worked. There is also a journal kept by Sister Marie Celine during a trip to the Holy Land.

This series contains records created and accumulated by the office of the General Treasurer for the Sisters of St. Joseph in London, Ontario. The records are primarily related to managing the donations given by and to the Sisters and the funding for their ministries, missions, Motherhouses, residences, and outreach projects. In London, St. Joseph’s Hospitality Centre provided food security programs, Medaille Retreat House was a spiritual retreat centre for the Sisters, the Queens Avenue building was a home for women in need, and the Boulee Street house was a ministry to the poor. The Adult Spirituality Centre, St. Joseph’s Manor, the Foster Home on St. Rose Avenue, and Holy Rosary Convent were all in Windsor. St. Joseph’s Manor and the Foster Home were ministries to children in need and Holy Rosary Convent was the main convent for the Windsor Sisters. The Adult Spirituality Centre in Windsor provided spiritual direction and retreats. Another spiritual retreat, Marygrove, was in Aylmer. Outside of Ontario, there are records concerning the Photo History Project at Ataguttaaluk School in Igloolik, Nunavut in which Sister Mary Diesbourg participated, the Sisters at St. Joseph Regional House in Edmonton, Alberta, and the mission in Peru including the collaboration with Heart-Links, a London based charity focused on Peru.

The series includes reports, meeting agendas and minutes, mission statements, budgets, floorplans, funding proposals and requests, grant applications, forms, lists of Sisters involved with specific projects and sites, and correspondence concerning funding, donations, location changes, operations, and testimonials from the public supporting the Sisters’ projects. There are also resolution agreements from the Sisters’ projects. One agreement is with the sole shareholder of a company connected to a property owned by the London congregation, Marygrove, concerning the finances and leadership positions within the company. The other agreement is between the Sisters of the Holy Names of Jesus and Mary and the Sisters of St. Joseph to decide the future of the Adult Spirituality Center.

One of the ways that Sisters could request funding for their ministries from the congregation was through the Apostolic Services Fund. Arrangements for the creation of this fund, outlines of requirements to qualify for funding and funding applications are included.

Not all the material is concerned with finances. Some records pertain to other projects the General Treasurer was involved with, particularly when Sister Loretta Manzara held the office. In 2007, the Sisters moved from Mount St. Joseph to a new LEED certified residence at 485 Windermere Road. in the series includes records related to this transition such as the Sisters’ Statement of Values, reports, pamphlets, news clippings, an issue of London Citylife, and newsletters (one of which was titled Crossing Over). There is also material concerned with the sale of Mount St. Joseph, the former Motherhouse.

At the 2012 Foundation Day, the Annals Project was presented. It focused on a shift from keeping annals to looking at the life of the entire congregation as expressed through Chapter reports. Pamphlets, agendas, meeting minutes, and a report on this project are present. Accompanying this material are annotated photocopies of various reports covering the Sisters’ activities from 1959 to 2011 which were referenced for the project.

Records related to the London Sisters’ involvement in Goderich, Ontario are also present, such as correspondence and pamphlets about their commitment to the area and the 100th anniversary of the founding of the first convent outside London.

The series also includes descriptions of icons painted by Sister Mary Anthony Hartleib, as well as prints of some of her artwork (including on the back of her funeral card), and photographs of artwork by Philip Aziz. Other photographs in the series are from the mission in Peru and of students and elders in the report for the Photo History Project at Ataguttaaluk School.

The fonds Chœur Franc-Nord includes textual record, audio and audiocassette.

This collection includes a complete series of HighGrader Magazine published between January 1995 to Winter 2017.

Sous-fonds contains correspondence, newsletters, documentaries, project files, school donor files, publications, and records of the administration of and work supported by Heart-Links.

This sous-fonds contains material created and amassed by Sister Marie Angela Aubert. Sister Marie Angela Aubert was a writer of poetry, articles, poems and more and much of that material is included here. The scripts, records, and correspondence about the over 140 plays she wrote inspired by the Bible are present. A notable inclusion is The Great Adventure, a play written and produced by Sister Marie Angela Aubert for the 125th Anniversary of the Congregation of the Sisters of St. Joseph of London. There is also correspondence with the Bishops of London granting her plays Imprimatur and Nihil Obstat, which means that the content of the plays was found to be in keeping with the teachings of the Church, are of good quality, and can be published. Her work was also included in Fine Lines: 1997 Anthology and Fine Lines II: 1998 Anthology by London & Area Writers. Both books are within this sous-fonds. In addition, there are various serial publications and clippings present which feature Sister Marie Angela Aubert’s poems, plays, reflections on her life and religious experiences, articles on education, and Letters to the Editor. There is also a research paper she wrote on the impact of Christianity in a detention centre. Sister Marie Angela Aubert was the Coordinator of R.C. [Roman Catholic] Jail Ministry Volunteers and the scripts for communion services at Elgin-Middlesex Detention Centre are present here, too. The sous-fond also includes certificates, diplomas, transcripts, and teaching licenses presented to and earned by Sister Marie Angela Aubert, including her B.A. diploma from the University of Windsor and B.Ed. diploma from the University of Alberta. Sister Marie Angela Aubert spent much of her life as a teacher. While working at O'Leary High School she got the students involved in the Junior Achievements Program and at Catholic Central High School she supervised the CCH Business Club. Newsletters, administrative documents, correspondence, photographs, newspaper clippings, correspondence, and an article written by her from these two programs are included in this sous-fonds. There are also invitations, awards lists, and thank-you notes from Sister Marie Angela Aubert’s time at these schools.

Fonds consists of corporate records of Gallery Moos, including files on artists and associated dealers and galleries, art fair participation and travel, business correspondence, publishing and administrative records and the records of David Moos and gallery director Gerard Jennings. Fonds also contains the gallery’s published material, including exhibition invitations and catalogues, posters, and limited edition publications. Two films on gallery artist Gershon Iskowitz are also included.
The accrual of 2004 consists of Series 8 and Series 9, listed below. In 2012 the accrual of material from Gallery Moos augmented Series 1–6, 8 and 9, and added Series 10–14.

Fonds documents Workscene Gallery as an artist collective, artist-run gallery and publisher in Toronto, including photographs, negatives, slides , photo albums, one poster, newspaper clippings, invitations, guest books, log books, exhibition catalogues, one video tape, address stamp and corporate seal.
Contains series:

1. Members and associate members files
2. Exhibition files
3. Executive Committee files
4. Financial records
5. Publications
6. Correspondence
7. Administration files

Fonds consists of personal and professional records of Gershon Iskowitz, including photographic documentation of his family and early life, self and studio, and works of art; publicity material including newspaper clippings about his career; personal artefacts such as identity documents; a small amount of personal correspondence; and a condolence book signed at his memorial service.
Contains series:

1. Photographs
2. Publicity material
3. Identity documents
4. Personal correspondence and notes
5. Writings about the artist
6. Sketch and notes for Northern Lights Septet #3
7. Audiovisual records
8. Artist’s palettes
9. Condolence book