Fonds consists of manuscript and typescript copies of Adele Wiseman's work, clippings and reviews pertaining to her books, personal and business correspondence, financial records, photographs, subject files and manuscripts of work by others and other material pertaining to her career as a writer, teacher and social worker. Fonds is comprised of the following series: Writing files Business correspondence Wiseman family files General correspondence Financial records Subject files Works by others Academic and teaching files Journals, notebooks and address books Loons files Audio-visual records
The fonds consists of records created by Alan Clarke in his capacity as an educator, adviser and public servant and includes both personal and professional correspondence, reports, notes, clippings, minutes and agendas and other material annotated by Clarke.
Fonds consists of copies of published and unpublished papers, journal articles, conference papers and reviews written by Lessem, course material, a copy of his M.Litt thesis, "The Style and Structure of Frescobaldi's Keyboard Ricercari and Fantasias", and other material that documents his career as an academic.
Fonds consists of correspondence of Albert Edward Kemp with political colleagues, government and parliamentary business. There is also financial material relating to Kemp Manufacturing Co., 1909-1923, including financial statements.
The fonds consists of correspondence, readers' reviews, printed articles and submissions, all pertaining to 'Co-ordination chemistry reviews,' of which Alfred Beverly Philip Lever was editor, 1965-1971. The files are arranged alphabetically by name of correspondent/author/critic.
Fonds consists of records documenting the writing, editing, publication and promotion of Alison Pick's poetry and novels, particularly "Far to go." These records include draft manuscripts, galley proofs, notes, notebooks, correspondence, photographs, day planners, literary publications, journals and memorabilia. Fonds is arranged into several series.
The fonds consists of correspondence and papers, reports, scrapbooks of newspaper clippings, photographs, tapes and films, related to Allan Grossman's political career, community work, and family life.
The fonds consists of records documenting his career as a sociology and mass communications professor, including research files, professorial files and writings; ephemera related to the Stop Spadina Expressway campaign including buttons, posters and files which reflect his work with both the Hepatitis C Survivor's Society and the Hepatitis C Society of Canada and their involvement with the Royal Commission of Inquiry into the Confidentiality of Health Information in Ontario (Krever Inquiry).
The fonds documents Andrew Tomcik's career as a professor, graphics designer and consultant. It includes correspondence, writings, design examples, design work and posters created by Tomcik for corporate clients and York University, such as silkscreen and lithographic pieces. Also included are prints, notes, clippings, conference material, student projects, teaching files for his history of design course, design books and magazines.
The fonds consists of records pertaining to Archibald Henry Woods' activities with the Co-operative Commonwealth Federation Council (CCF). The fonds includes minutes of meetings, 1945-1946; correspondence and papers, 1946; reports, 1946; newspaper clippings, 1936-1945.
The fonds mainly documents Arthur C. Johnson's professional activities as a university administrator. Records consist of press releases, speeches, correspondence, and reports relating to the planning and development of York University's Keele and Glendon campuses.
The fonds consists of Arthur Hackett's copies of correspondence, reports, minutes, newspaper clippings and printed material related to the Organizing Committee of York University and the establishment of the University in 1959. It includes: minutes of the Organizing Committee, 1958-1959, of the Executive Committee and the Facilities Planning Committee, both 1959, as well as of the Publicity Committee, 1958-1959; copies of drafts and the final form of the York University Act (1959); a copy of the first report of the Curriculum Committee; and reports of meetings of the Provisional and the official Board of Governors.
The fonds primarily documents the Association of Canadian Film Craftspeople's operational and administrative activities. Records consist of dissolution files; financial records and contracts; meeting minutes; correspondence and other administrative records including reports; and publicity, special event and marketing records.
The fonds consists of television and film scripts considered for ACTRA Awards, 1980-1983. It includes scripts from the popular Canadian Broadcasting Corporation television programmes 'Seeing things,' 'For the record,' and 'The beachcombers,' as well as a National Film Board script, 'A choice of two,' (originally titled, 'Just above water,').
The fonds consists of documents pertaining to the Association of Cultural Executives such as letters patent, minutes and by-laws, correspondence and papers, financial records, reports, and printed material.
The fonds consists of correspondence, reports, newspaper clippings, minutes and related material for the Avenue-Bay-Cottingham Ratepayers' Association and the Marlborough Avenue Ratepayers' Association. This includes correspondence between Jack Granatstein and Marathon Realty, correspondence with City of Toronto officials, reports of various City departments, minutes of meetings of the Ratepayers' Associations and of advocacy bodies in the city, and reports of Task Forces established by the City and Metropolitan Toronto.
Fonds consists of business records of The Isaacs Gallery (TIG) (1942-1991), consisting of correspondence, exhibition catalogues, mailings and financial records (1984-1986); artist files (1961-1988), consisting of correspondence, biographical sketches, press clippings, and other material relating to artists represented by Isaacs (e.g., Dennis Burton, Graham Coughtry, William Kurelek, Michael Snow and Joyce Wieland) and some who were not represented by him; artist portfolio files (1955-1988), consisting of press clippings and catalogues of their works; and promotional files (ca. 1960-1989) relating to the Isaacs Gallery.
The fonds consists of material that documents Godard's professorial career and includes thesis advisory files, general correspondence, letters of recommendation, lecture notes, conference material, minutes and reports related to various departments and committees that she was involved with and additional material related to her work with the Canadian Federation of Humanities and to her work as editor of the "Bibliography of feminist criticism," "Gynocritics" among other publications. It also includes notes and drafts of her own writing including her undergraduate and graduate research, articles, book reviews, conference papers, drafts of her translations and a collection of chap books and broadsheets accumulated over the course of her career.