Enveloppe postée de Lauderdale Lakes, FL vers Montréal, 13 mars 2003
Sans titreLes dessins ont été fait à la fin des années 1970 et au début des années 1980, durant des séances de consultation avec madame Roy. Elle les avait préservés jusqu'au moment de les remettre à Léo Beaulieu en 2003, avec l'intention de les inclure dans la collection à venir : CIDE.
Le Fonds Guy Lizotte comprend des documents textuels et sonores témoignant de la vie et de l’œuvre de son créateur. On y retrouve les premières versions de certains poèmes de ses œuvres publiés, des poèmes inédits, des contes et des notes au sujet des plantes que l’auteur affectionnait. Parmi les enregistrements sonores, un seul n’a pas été conservé.
Lizotte, Guy (GL)Lettre manuscrite signée par Françoise Roy, 14 mars2003
Sans titreSeries includes programmes from various Friends of Music events, 1976-1999. All events took place at Port Hope United Church unless otherwise noted. a) Oshawa Symphony Orchestra, December 11 1977 b) Oshawa Symphony Orchestra, May 11 1980 c) Peterborough Symphony Orchestra, October 29 1978 d) 'The Messiah' by Northumberland Symphony Orchestra and Philharmonic Choir, April 2 1980 e) Anton Kuerti, November 29, 1981 f) Hagood Hardy, February 20 1983 g) Hamilton Philharmonic, April 24, 1983 h) George Zukerman, November 20 1983 i) An Evening of Opera with Roxolana Roslak, Jean Macphail, Gary Rideout, Stuart Hamilton, March 11 1984 j) Maureen Forrester and Derek Bampton, April 15 1984 k) The Tallis Choir, November 18 1984 l) North York Symphony, April 28 1985 m) Jon Kimura Parker, October 27 1985 n) Hugh McLean, January 19 1986 o) Gabrieli Brass, April 20 1986 p) Vancouver Chamber Choir, February 22 1987 q) Anagnoson and Kinton, March 2 1987 r) The Moscow Woodwind quintet, March 6 1987 s) Kingston Symphony, March 27 1987 t) Mary O'Hara, October 16 1987 u) The King's Singers, November 27 1987 v) The Allegri String Quartet, March 26 1988 w) Angela Hewitt, April 24 1988 x) Kitchener Waterloo Symphony, November 18 1988 y) Elmer Iseler Singers, December 10 1988 z) The Amadeus Ensemble, April 29 1990 aa) Carrol McLaughlin, February 18 1989 bb) Mirelle Lagace, March 31 1989 cc) Great Lakes Brass, May 12 1989 dd) Toronto Symphony at Port Hope High School, September 30 1990 ee) 'In Memorian' Helen Kyle ff) Louis Lortie, November 23 1990 gg) I Musici De Montreal with Anton Kuerti, February 8 1991 hh) Loreen McKennit, March 17 1991 ii) American Boychoir, April 21 1991 jj) Gene Dinovi and James Campbell, April 18 1998 kk) Le Studio De Musique Ancienne de Montreal, December 11 1999 ll) Daniel Domb and Oshawa Symphony Orchestra, May 16 1976
Photographs are divided into seven subseries:
A - Architecture
B - Arts (Theatre, music, dance, arts, crafts)
C - Business & industry
D - Churches
E - Communities in Northwestern Ontario
F - People, families, & genealogy
G - Organizations
Fonds consists of business records of The Isaacs Gallery (TIG) (1942-1991), consisting of correspondence, exhibition catalogues, mailings and financial records (1984-1986); artist files (1961-1988), consisting of correspondence, biographical sketches, press clippings, and other material relating to artists represented by Isaacs (e.g., Dennis Burton, Graham Coughtry, William Kurelek, Michael Snow and Joyce Wieland) and some who were not represented by him; artist portfolio files (1955-1988), consisting of press clippings and catalogues of their works; and promotional files (ca. 1960-1989) relating to the Isaacs Gallery.
Sans titreFonds consists of copies of published and unpublished papers, journal articles, conference papers and reviews written by Lessem, course material, a copy of his M.Litt thesis, "The Style and Structure of Frescobaldi's Keyboard Ricercari and Fantasias", and other material that documents his career as an academic.
Sans titreThe fonds mainly documents bill bissett's activities as poet, visual artist, musician, and editor of Blewointment Press. The fonds consists of the following series: Personal papers, 1948-1999; Professional papers, 1962-1992; Material by and about others, 1967-1992; Photographs, 1962-1992; Memorabilia; Sound recordings, 1967-1992.
Sans titreThe fonds consists of printed material, correspondence, photographs, slides, and related material of the Centre for Experimental Art and Design. The correspondence includes: correspondence with artists, galleries and other arts groups in Canada and overseas, dealing with CEAC exhibitions, CEAC-sponsored travelling shows, and communications concerning gallery events. There is also material dealing with granting agencies, including the Ontario Arts Council and the Canada Council. Also included is correspondence relating to the OCA and CC decisions to suspend funding to CEAC, letters of reaction from CEAC members and supporters. The fonds also has grant proposals and covering documentation, and other material. The fonds also contains various documents written by members of the collective defining the 'new ideology' which would usurp the cultural and political elites, define a post-modern aesthetic. There is also material on related artistic and intellectual ideas. There are newspaper clippings of CEAC events and exhibitions both from Canadian and foreign newspapers, invitations to events, flyers and other announcements of forthcoming events, and clippings about other performance and avant-garde arts in other cities and countries. The photographs and slides concern performances at CEAC, including material related to 'Crash and Burn'.
Sans titreThe collection consists of the Ontario Folklore Archives which includes student essays and cassettes of folklore in Canada. Subjects discussed in the student essays include folk medicine, folklore from regions in Ontario and Canada (Oshawa, Ontario, Feversham, Ontario, Newfoundland), from cultural groups (Jews, Ukrainians, French Canadians), musical folklore, social folklore (children's jokes, urban graffiti), and related topics. In addition, there are recordings on audio cassettes and audio reels of Scottish folk songs and customs, old-time fiddling, songs of the Scottish regiment and of other subjects.
Sans titreThe fonds mainly documents Ernesto Vinci's career as a singer. It also partially documents his activities as a teacher at the University of Toronto.
Sans titreThe fonds consists of material that documents Pittman's work in film and television and includes scripts, storyboards, correspondence, financial records, publicity material, shooting schedules, edit sheets, research material, grant applications and other related material. It includes photographs taken during the production of a number of his films and audio-visual records in various formats that document the various stages in the making of film and television productions with which Pittman was involved. There is considerable material relating in particular to "Shattered City". The fonds also includes a series of audio recordings of interviews conducted by Pittman for "Saturday Night at the Movies" with film directors including Bernardo Bertolucci, Robert Altman, and Norman McLaren among others.
Sans titreFonds is comprised of research material, notes, typescripts, manuscripts, and correspondence pertaining to Winona, or, The Foster Sisters, co-edited and published by Professor Michael Peterman and Professor Len Early (Peterborough: Broadview Editions, 2007).
Sans titreFonds is comprised of materials pertaining to the life and career of playwright and author Munroe Scott. Included are miscellaneous correspondence files as well as manuscripts, correspondence, copyright permissions, research files, publicity materials, and reviews pertaining to his several books and plays. Included are 39 cassette tapes (and transcripts) of interviews by Munroe Scott with Dominion Sculptor Eleanor Milne and with authors, artists, and academics associated with Milne's work.
Sans titreFile consists of draft versions of "The Great Farini" by Shane Peacock, 1994-1995. It includes: First draft (795 pp), Second Draft (645 pp) and selected bibliography (30 pp).
Sans titreSeries consists of newspaper clippings and information on the Molson's Mill Art School, c1955-1981. It includes a type-written excerpt from "The Barley and the Stream" by Merrill Denison (1955). Articles were clipped out of the Port Hope Evening Guide by N. Tom Long.
Sans titreDonated to the Port Hope Archives by B. Loucks, 2015. Donor is the grand-daughter of Josephine Stuart-Grant.
File consists of an art folder and watercolours by Henrietta Haultain in 1914. First painting dated Sep 1914 "The little white house in the first valley of Monkey Mt. Port Hope" and "The view from the top of the hill, Monkey Mountain Oct. 22nd 1914." This image appears to show Trinity College School.
File consists of documents related to the American Wind Symphony Orchestra event held during Port Hope Sesquicentennial celebrations, 1984. It includes: Posters; Correspondence; Meeting Agendas; Itineraries; Media Coverage.
Sans titre