Affichage de 43 résultats

Fonds consists of material pertaining to Raymond's portrayal of Abraham Lincoln on stage and film and includes photographs of Abraham Lincoln, sketches of Raymond as Lincoln, framed playbill on the night of Lincoln's assassination, framed Republican national ticket for President Lincoln, TV Guide awards for Raymond's performance in Tyger, Tyger and Dr. Kildare, and correspondence.

Fonds also consists of the Raymond Massey Rare Book Collection which he bequeathed along with the rest of the items in the fonds.

Fonds consists of the following series: Abraham Lincoln, Correspondence, Publicity, Raymond Massey Rare Book Collection.

Fonds consists of personal and professional records created by Gilbert and Stewart Bagnani and their families, chiefly in Europe, North Africa, and Canada, for the most part between ca. 1910 and 1955, comprising photographs of Gilbert Bagnani's travels and archaeological work in Italy, Greece, Turkey, Libya and Egypt in the 1920s and 1930s; a motion picture of his activities in and around Tebtunis in Egypt in 1934; correspondence between the Bagnanis themselves, Gilbert Bagnani's mother Florence Bagnani and other family members; photos of the families of Gilbert and Stewart Bagnani, including 19th-century photo portraits of their Dewar, Houston, and Robinson relatives; a collection of copy prints and glass slides of art and antiquities used by Dr. Bagnani in his university teaching; audio recordings of Dr. Bagnani lecturing; albums of clippings and memorabilia of family and social events; miscellaneous printed, typescript and manuscript items; photos of the Bagnanis at Trent University in the 1980s; an album of postage stamps; and other material.

Contains series:

1. Correspondence
2. Family photographs
3. Archaeological and travel photographs
4. Art history images
5. Albums and scrapbooks
6. Miscellaneous records

Fonds consists of more than 60 letters, newsletters, poems, and greeting cards written by Margaret Laurence to Ian and Sandy Cameron, as well as a copy of Laurence's will. The correspondence discusses Laurence's work as a writing instructor and speaker at the University of Toronto, her relationship with other Canadian writers and Clara Thomas, her move from Toronto to Lakefield, and her involvement with the Writers' Union of Canada conference in Ottawa in November 1973. Laurence comments extensively on her own works and her efforts to encourage other writers (including Ian Cameron), her efforts to produce a recording of songs with her lyrics and Cameron's musical score to accompany "The diviners," the film contract based on this novel, and her elation at winning the Molson Prize in 1975. The correspondence also discusses her divorce from Jack Laurence, her relationship with her children, and her views on social and generational change. The correspondence is accompanied by nine vinyl recordings given by Laurence to the Camerons that feature European classical music, African palm wine music, and Ghanian highlife music. The fonds also contains five letters from John Ruskin, the Victorian writer and art critic, to Kate Towney and Arbuthnot Cameron, 1865-1867, regarding Towney's marriage and financial affairs, mineral collecting, and ideas from Ruskin's book, "Modern painters." These letters are accompanied by notes and transcripts, as well as a letter written in 1907 regarding the Ruskin correspondence.

Fonds consists of drawings, watercolours and designs of A. H. Howard produced in Toronto between 1880 and 1914, especially in the sketchbooks in which Howard drew Ontario landscapes and towns, flowers, trees, human figures, factory interiors and other subjects. Similar drawings and watercolours are contained in two albums and a portfolio. Also included are examples of his decorative and calligraphic work from illuminated presentation addresses, certificates, bookplates and other materials.
Contains series:

1. Portfolio and albums
2. Sketchbooks
3. Decorative designs and drawings

Fonds consists of Robert Fones’ correspondence, journals, sketchbooks, art production materials and files for artworks and public art commissions, unpublished handmade artists books, a set of rubber stamps used for correspondence art, and ephemera related to Coach House Press, a publisher Fones had a longstanding relationship with. Fonds also includes Fones’ research and business files as well as files related to his design, curatorial and writing projects.

The fonds documents Andrew Tomcik's career as a professor, graphics designer and consultant. It includes correspondence, writings, design examples, design work and posters created by Tomcik for corporate clients and York University, such as silkscreen and lithographic pieces. Also included are prints, notes, clippings, conference material, student projects, teaching files for his history of design course, design books and magazines.

Fonds consists of records relating to the life and work of Florence Vale. Textual materials include correspondence, records of exhibitions, and documentation of her artwork. Visual materials include photographic documentation of the artist, her family, friends, and her work; drawings, etchings, rugs, and box construction art pieces and dolls. Also includes are media materials in the form of audio reels and a videocassette.
Contains series:

1. Documentation of Artwork
2. Publicity Materials
3. Correspondence
4. Photographs
5. Drawings and Etchings
6. Poems by Florence Vale and Others
7. Artist’s bookworks
8. Audio reels of the singing and poetry readings of Florence Vale
9. Video Documentary on Florence Vale
10. Dolls and Box Constructions
11. Rugs

Fonds consists of four series; education of Wentworth’s schooldays at Appleby, Old Boys’ Association, correspondence and the Walker Family series, which consist of family heritage pieces related to Appleby College. Of note is a child’s table and chair set that was made by Appleby’s founder and Wentworth’s uncle, John Guest.

Fonds consists of personal and professional records of Gershon Iskowitz, including photographic documentation of his family and early life, self and studio, and works of art; publicity material including newspaper clippings about his career; personal artefacts such as identity documents; a small amount of personal correspondence; and a condolence book signed at his memorial service.
Contains series:

1. Photographs
2. Publicity material
3. Identity documents
4. Personal correspondence and notes
5. Writings about the artist
6. Sketch and notes for Northern Lights Septet #3
7. Audiovisual records
8. Artist’s palettes
9. Condolence book

Fonds consists of files relating to Larry Zolf's activities as journalist and writer and to his career with the Canadian Broadcasting Corporation. The fonds includes personal and professional correspondence, drafts of television programs, magazine articles, dramatic works and reviews, notebooks, research files, diaries and financial records. It also includes draft manuscripts, research material, and correspondence related to his books "Dance of the dialectic," "Just watch me : remembering Pierre Trudeau," "Scorpions for sale," "Zolf," and "The Dialectical dancer," as well as for his online column, "Inside Zolf."

The fonds consists of materials related to Deane Cameron’s professional career in the Canadian music industry ,predominantly as President of EMI Canada and as a member of various national music associations and committees. It also consists of material relating to Cameron’s personal life, including correspondence, photographs and ephemera, much of which involves musicians or individuals in the music industry.

Fonds consists of personal and professional records of Canadian painter Jack Bush, created chiefly in Toronto during the 1930s to 1970s: his personal diaries; record books containing notes on his paintings; photographs (slides, transparencies, negatives and prints) largely of his paintings but also of his studio, exhibit installations and other subjects; with scrapbooks of newspaper and magazine clippings about the artist, exhibition notices, examples of his commercial art, and further records of his paintings.
Contains series:

1. Diaries
2. Record books
3. Photographs
4. Scrapbooks
5. Commercial art

Collection consists chiefly of illustrative works by Canadian graphic artist Thoreau MacDonald, including a portfolio of drawings for an unpublished illustrated edition of Henry David Thoreau’s study Walden and a volume of layouts for the novel Maria Chapdelaine by French author Louis Hémon. Collection also includes some correspondence.

Fonds illustrates Ella N. Martin’s work as a senior lecturer at the Royal Ontario Museum and her interest in improving museum education. The fonds is arranged into twelve series, which span her entire career from the late 1930s to the mid 1970s. The fonds includes correspondence, publications, photographs, personal papers and journals, lecture notes, drafts of a book, student reports, course instructions, teacher evaluation forms, interpretative text, film and radio scripts, worksheets for children and other materials. The fonds also contains an accession record.

Fonds consists of personal and professional correspondence, clippings, programmes and related material that document Grossman's career as a dancer with the Paul Taylor Dance Company as well as the founding of the Danny Grossman Dance Company. It also includes contracts, grant applications and other financial records, citizenship papers, passports and other collected ephemera.

The fonds mainly documents bill bissett's activities as poet, visual artist, musician, and editor of Blewointment Press. The fonds consists of the following series: Personal papers, 1948-1999; Professional papers, 1962-1992; Material by and about others, 1967-1992; Photographs, 1962-1992; Memorabilia; Sound recordings, 1967-1992.

Fonds consists of records of the artistic and academic career of Barbara Astman, chiefly in Toronto from the 1960s to the first decade of the 21st century, including photographs of her projects and exhibitions, correspondence and textual documentation of projects, personal and other photos and journals, and some audiovisual materials.

Fonds consists of archival holdings that document the history of The National Ballet of Canada from 1951 to the present, and include press clippings, programmes, posters, photographs, videos and costumes, as well as materials referring to dance in general, both in Canada and internationally. The Erik Bruhn Library also provides a valuable on-site reference resource, with over 950 volumes pertaining to dance and related subjects.

Fonds consists of the following series:
Publicity Department records
Artistic Department records
Production Department records
Administration records
Historical records
Marketing Department records
Development Department records
Education Department records
Biographical information records
Other Company records
Clippings
Scrapbooks
Photographs
National Ballet School records
Engagement records
Posters
Visual recordings
Sound recordings
Archives Department records
The International Competition for The Erik Bruhn Prize records
Volunteer Committee records
Ballet Opera House records
General Manager records
Arts Councils and government funding records
Repertoire notes
Ephemera
Company management records

The Entertainment Department fonds, RG 10, is arranged and described at the series level, with an accompanying file list. The fonds consists of a single series: Subject Files (RG 10-0-1).

Textual records in the fonds consist of correspondence, reports, contracts, schedules, minutes, charts and policies related to the Entertainment Department staff, musicians, performers and other entertainers, competition contestants, and CNE visitors. Graphic and printed materials include photographs of dancers, parades and parade floats, costumed characters, music and dance competitions, and other events coordinated by the Entertainment Department, as well as pamphlets and brochures.

Few documents exist for the years 1952-1980 (for further records from this time period, see RG 10-2, Music Department fonds). No records exist for the year 1984. When the CNE became independent in 2013, they retained their administrative and operational records from that year. Those records, and any new records created after that date, are the property of the CNE and are stored in the CNE offices or the CNE Archives. As a result, only one further accrual is expected for RG 10 for the records created between 2000 and 2012, which still fall under the retention schedule as of 2018.

The Music Department fonds, RG 10-2, is arranged and described at the series level, with an accompanying file list. The fonds consists of two series: Jack Arthur files (RG 10-2-1) and Subject Files (RG 10-2-2).

Textual records in the fonds consist of correspondence, reports, schedules, minutes, and publicity material related to the Music Department and Grandstand show staff, musicians, performers and other entertainers, competition contestants, and CNE visitors. Graphic and printed materials include photographs of dancers, performer headshots, and other events coordinated by the Music Department, as well as sheet music from the 1953 Grandstand show.

Few documents exist for the years 1960, 1962, 1973, and 1981. No records exist for the years 1954 to 1956, 1959, and 1963 to 1972.