The fonds consists of material that documents Pittman's work in film and television and includes scripts, storyboards, correspondence, financial records, publicity material, shooting schedules, edit sheets, research material, grant applications and other related material. It includes photographs taken during the production of a number of his films and audio-visual records in various formats that document the various stages in the making of film and television productions with which Pittman was involved. There is considerable material relating in particular to "Shattered City". The fonds also includes a series of audio recordings of interviews conducted by Pittman for "Saturday Night at the Movies" with film directors including Bernardo Bertolucci, Robert Altman, and Norman McLaren among others.
Pittman, BruceFonds consists of correspondence with fellow Crosby collectors and enthusiasts, drafts of essays and articles concerning Crosby written by Vogt, scrapbooks dedicated to Crosby, lists of Crosby recordings, publicity photos and movie stills, magazines, newsletters and other material that documents Vogt's ongoing interest in Bing Crosby's music and work.
Vogt, Gordon, 1947-1985Fonds consists of material that documents Feldbrill's personal and professional life and includes correspondence from friends, family and colleagues, including letters from Murray Adaskin, Sir Ernest MacMillan, Harry Somers, John Weinzweig and others, fan mail, programmes, pamphlets, newspaper and magazine articles related to his work as a violinist and/or conductor, contracts and biographical material. In addition, it includes a series of scrapbooks maintained by Feldbrill that documents his professional career from 1940 to the present day. There is considerable correspondence between Feldbrill and his wife Zelda Mann that documents their courtship, the couple's life together, and descriptions of Feldbrill's travels. There is a substantial amount of material related to his performances with the Toronto and the Winnipeg Symphony Orchestras and to the years he spent working and teaching in Japan.
Feldbrill, Victor, 1924-Fonds consists of personal correspondence (1932-1990), project files (1926-1981), slides, photographs, films, videos, and publications by or about the Beveridges.
Beveridge, JamesThe fonds consists of two series, the CCMC concert series (1973-199-?) of twice-weekly public performances by members who have included Peter Anson, Paul Dutton, John Kamevaar, Nobuo Kubotu, Allen Mattes, John Oswald, Michael Snow, Casey Sokol, Jack Vorvis. The Music Gallery Concert Series (1978-1993) comprises sound recordings of approximately 65 concerts per year and has involved a wide variety of local and international performers/composers, including all varieties of new music, electroacoustics, world, and jazz. Supporting documentation includes program information, posters, reviews, and photographs. The fonds consists also of financial statements, season reports, contracts, sales reports, publicity material including press release, programs, media contact lists, clippings, photographs and other material related to the activities and the performances of The Music Gallery.
Music GalleryFonds consists of records of the Mountain Fund pertaining to its activities, helping Vietnamese refugees in coming to Hamilton, Ontario. The fonds includes minutes of the Board of Directors, correspondence, financial records, publications and photographic materials.
Mountain Fund (Hamilton, Ont.)Fonds consists of Mary Hecht's teaching files, files related to her professional, social, and religious affiliations, personal files, business files and financial records, and her files as a student including her thesis.
Hecht, Mary, 1931-The fonds documents Paul James Dwyer's activities as a dancer, choreographer, and writer. Records consist mainly of correspondence and subject files relating to various dance companies such as Dance Oremus Danse and the Isadora Duncan School of Modern Dance. Also included are dance programmes, Dwyer's published articles and photographs of colleagues such as Jeanne Bresciani, Lori Belliveau, and Anita Zhan. There are video recordings of interviews and dance performances.
Dwyer, Paul JamesFonds consists of selected administrative and operational records of the Toronto Dance Theatre. Fonds consists of the following series: Photographs Programmes Personnel and Company History Publicity files Minutes Financial records Clippings Canada Council Grant Application files Ontario Arts Council Grant Application files General Grant Application files Fundraising files General Manager's files Engagements files Posters School of Toronto Dance Theatre files
Toronto Dance TheatreThe fonds consists of records pertaining to the activities of Goldfarb Consultants and include research reports, printouts, questionnaires and administrative files. They can be used in conjunction with each other: the responses in the questionnaires are analysed in the research reports; the printouts are the raw data results of the questionnaires; and the administrative files provide additional documentation related to a particular research topic. With a few exceptions the projects included in the fonds were undertaken for federal or provincial political parties or governments. Fonds is comprised of the following series: The Goldfarb Reports Computer Generated Reports Research reports Martin Goldfarb speeches Questionnaires Unsuccessful research proposals Administrative files Moving images Electronic Records
Goldfarb ConsultantsFonds consists of manuscript and typescript drafts and notes for many of Richard Courtney's works, personal and business correspondence with friends, colleagues, publishers and other individuals and organizations, background and resource material for Courtney's writing and teaching, lecture notes, copies of journals and other publications in which Courtney's work either appeared or which he used as resource material, scrapbooks documenting Courtney's role as an actor and director in a number of productions including those undertaken as a student at Leeds as well as a number of audio-visual samples of his work. Fonds is comprised of the following series: Manuscripts Correspondence and subject files Journals and publications Scrapbooks Audio-visual material
Courtney, Richard, 1927-1997Fonds consists of the original manuscripts, and some additional typescripts, of the 'Famous Canadian Trials' series, volumes 1-50, created between 1943 and 1949.
Guillet, Edwin C., 1898-1975Fonds consists of an accumulation of files kept by several different members of the Canadian Association of Professional Dance Organizations which have been maintained in the manner in which they were received. They contain correspondence, minutes, reports, financial records, items used for publicity, resource material and other material.
Canadian Association of Professional Dance OrganizationsFonds consists of personal and business correspondence, reviews, notes, drafts and manuscripts of poems and musical compositions which document the career of Robert Casto.
Casto, Robert Clayton, 1932-1998The fonds primarily documents the Association of Canadian Film Craftspeople's operational and administrative activities. Records consist of dissolution files; financial records and contracts; meeting minutes; correspondence and other administrative records including reports; and publicity, special event and marketing records.
Association of Canadian Film CraftspeopleFonds consists of records pertaining to Robert Laxers family life, teaching, writing, and political activities. It includes correspondence, manuscripts and drafts, political pamphlets, research notes and reports.
Laxer, Robert M., 1915-1998The fonds consists of material which documents Leckie's career as a writer and director and includes personal and professional correspondence, notes, drafts and outlines of scripts, production files, research files, press clippings, photographs and publicity material of many of the productions that he worked on including related audio-visual material.
Leckie, Keith Ross, 1952-Fonds consists of records created by Bernard Zukerman in his capacity as producer. No personal records are contained herein. Records include: research notes, correspondence, screen plays, draft notes, shot lists, cast lists, crew lists, shooting schedules, as well as copies of scripts sent to Zukerman for his consideration.
Zukerman, Bernard, 1943-The fonds mainly consists of personal and business correspondence, clippings, reviews, research notebooks, audio and video cassettes, copies of articles written by McQuaig, manuscript and typescript drafts of her works including 'The cult of impotence', 'The quick and the dead', 'All you can eat' and 'It's the crude, dude' as well as copies of essays and papers written while she was a student at the University of Toronto.
McQuaig, Linda, 1951-Fonds consists of material which documents Friedlander's career as a theatre critic and writer. It includes selected clippings, research material, interview transcripts, yearbooks, personal papers, press photographs, and other materials related to her life's work. The fonds is organized into the following series: Fonds is comprised of the following series: Correspondence and subject files Theatre Club files Yearbooks Clipping files Press photographs Curt Borchardt material
Friedlander, Mira, 1944-2000