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Fonds consists of records created over the course of running the Port Hope Friends of Music. It has been accrued over the course of several years. Please refer to series-level descriptions for more detailed information.

Fonds consists of three (3) blueprints of The Bluestone House, 1918; various Port Hope receipts; receipts from the Port Hope Hospital Trust; and publications related to Monsignor Leo. A. Cleary.

Fonds consists of the papers and drawings of Mary Shane (nee Ferguson) from 1909-1960. They were created in multiple locations across Ontario, including: Perth, Mitchell, Brampton, Oakville, Bowmanville, and Port Hope. It has been arranged into five (5) series: (1) Art; (2) Clippings; (3) Correspondence; (4) Newspapers; (5) Publications.

The CNE Art Catalogue Collection consists of art exhibition catalogues spanning the years 1879 - 1974. The collection is arranged chronologically.
Each catalogue includes information on the art and artists included in the exhibition, and often include examples of some of the works.

Fonds consists of ten framed prints from the personal fly-fishing print collection of Douglas R. Greer, 1996-1998.

Fonds consists of fourteen (14) movie posters created by and for the Capitol Theatre, 20 Queen Street, Port Hope. All the movies were screened between 1941-1942.

Collection consists of three drawings by Jessie Oonark on mimeograph stencil sheets. Items are arranged in a single series.

Fonds consists of Robert Fones’ correspondence, journals, sketchbooks, art production materials and files for artworks and public art commissions, unpublished handmade artists books, a set of rubber stamps used for correspondence art, and ephemera related to Coach House Press, a publisher Fones had a longstanding relationship with. Fonds also includes Fones’ research and business files as well as files related to his design, curatorial and writing projects.

Fonds consists of personal and professional records of Michael Bidner, primarily created during the mid-
1970s to 1989. Files pertain to various projects during Bidner’s artistic career and include working files,
artwork, the artist’s publications, correspondence, ephemera, photographs and slides.

Fonds consists of records of the artistic and academic career of Barbara Astman, chiefly in Toronto from the 1960s to the first decade of the 21st century, including photographs of her projects and exhibitions, correspondence and textual documentation of projects, personal and other photos and journals, and some audiovisual materials.

Fonds consists of Suzy Lake’s documentation of her artistic projects and exhibitions, records of her teaching activity at the University of Guelph, trial proofs used in the production of photo murals, and an example of early experimental work by the artist. Fonds also includes Lake’s grandfather’s sketchbook from his studies at the Detroit Institute of Arts.

Collection consists chiefly of illustrative works by Canadian graphic artist Thoreau MacDonald, including a portfolio of drawings for an unpublished illustrated edition of Henry David Thoreau’s study Walden and a volume of layouts for the novel Maria Chapdelaine by French author Louis Hémon. Collection also includes some correspondence.

Fonds consists of personal and professional records created by Gilbert and Stewart Bagnani and their families, chiefly in Europe, North Africa, and Canada, for the most part between ca. 1910 and 1955, comprising photographs of Gilbert Bagnani's travels and archaeological work in Italy, Greece, Turkey, Libya and Egypt in the 1920s and 1930s; a motion picture of his activities in and around Tebtunis in Egypt in 1934; correspondence between the Bagnanis themselves, Gilbert Bagnani's mother Florence Bagnani and other family members; photos of the families of Gilbert and Stewart Bagnani, including 19th-century photo portraits of their Dewar, Houston, and Robinson relatives; a collection of copy prints and glass slides of art and antiquities used by Dr. Bagnani in his university teaching; audio recordings of Dr. Bagnani lecturing; albums of clippings and memorabilia of family and social events; miscellaneous printed, typescript and manuscript items; photos of the Bagnanis at Trent University in the 1980s; an album of postage stamps; and other material.

Contains series:

1. Correspondence
2. Family photographs
3. Archaeological and travel photographs
4. Art history images
5. Albums and scrapbooks
6. Miscellaneous records

Fonds is comprised of research material, notes, typescripts, manuscripts, and correspondence pertaining to Winona, or, The Foster Sisters, co-edited and published by Professor Michael Peterman and Professor Len Early (Peterborough: Broadview Editions, 2007).

The fonds consists of programmes for the Woodstock Festival of Music spanning the years of formation till its 50th Anniversary.

Fonds consists of drawings, watercolours and designs of A. H. Howard produced in Toronto between 1880 and 1914, especially in the sketchbooks in which Howard drew Ontario landscapes and towns, flowers, trees, human figures, factory interiors and other subjects. Similar drawings and watercolours are contained in two albums and a portfolio. Also included are examples of his decorative and calligraphic work from illuminated presentation addresses, certificates, bookplates and other materials.
Contains series:

1. Portfolio and albums
2. Sketchbooks
3. Decorative designs and drawings

Collection consists of material collected by Paul Delaney in his research for his book After the Fire and during his many years as both an employee of Sainte-Marie among the Hurons and as a member of the Friends of Sainte-Marie.

The fonds consist of various materials related to the career of Betty McArthur including reproductions of her pen and ink sketches of scenes of Woodstock and photographs taken by her of Woodstock homes as well as photos of herself painting. In addition, the fond includes several miscellaneous items including copyright for her book “Fine Lines Around Woodstock”, a programme of a 1996 Show at the Woodstock Art Gallery of her work, and newspaper articles.

The fonds consists of various materials relate to the history of the Oxford Camera club and its predecessors and include the following series:

Series 1 – Minutes

• Minutes of the Oxford Movie and Camera Club – 1 March 1955 – 18 March 1965.
• Minutes of the Oxford Camera Club. – 11 October 1966 – 13 May 1986.
• Minutes of the Oxford Camera Club. – 1986 – 1988.
• Membership lists of the Oxford Camera Club. – 1981 – 1988.

Series 2 – Scrapbooks

• Scrapbook of photographs and newspaper articles. – 8 March 1949 – 8 May 1963 including:
  • Coronation Group: Ross Walker, Al Simbaldi, Stan Nadorozny, Eric Hepworth, Cliff Fink and Roy Gatland. – [after 1953]. – photograph: b&w; 8 x 10 inches. Note: standing in front of the Oxford CINE Club Official Car.
  • Reel Garlick Bolex Award. – 16 September 1955. – photograph: b&w; 10 x 8 inches.
  • Oxford Movie and Camera Club Executive: Cliff Fink, Harry Parkinson, Geoff Voyce, Don Smith, Bill Smith, Len Talbot, Bill Farr and Tom Brooks. – 1960. – photograph: b&w; 5 ¼ x 10 inches.
• Scrapbook of photographs, newspaper articles, bulletins, etc. – September 1966 – June 1971.
• Scrapbook of photographs, newspaper articles, bulletins, etc. – 4 September 1971 – June 1976.
• Scrapbook of photographs, newspaper articles, bulletins, etc. – 1976 – 1978.

Series 3 – Membership list

Series 4 – Photographs

• Camera Club Meeting. – 1978. – 3 photographs: b&w; 5 x 4 inches.
• General Meeting of the Oxford Camera Club. – 6 September 1978. – 5 photographs: b&w; 5 x 4 inches.
• Camera Club Meeting[?] – February 1980. - 8 polaroids: colour: 4 ½ x 3 ½ inches. Note: includes images being taken and photographs of members.
• General Meeting of the Oxford Camera Club. – October 1981. – 17 photographs: b&w; 5 x 4 inches. Note: photographs taken by Laverne Rice.
• General Meeting of the Oxford Camera Club. – November 1981. – 17 photographs: b&w; 5 x 4 inches. Note: photographs taken by Jack Cockburn.
• General Meeting of the Oxford Camera Club. – December 1981. – 7 photographs: b&w; 5 x 4 inches. Note: photographs taken by Conroy Bows.

The fonds consists of textual records and other material created and accumulated by Eloise A. Skimings during her career as a newspaper correspondent, teacher, poet, and composer in Goderich, Ontario.

The fonds includes business and personal correspondence, business and personal invoices and receipts related to Eloise Skimings professional and personal activities, family account books of her and her brothers, insurance records, bank records, music records, poetry, notebooks, scrapbook, tickets, invitations, announcements, cards of memoriam, newspaper clippings and articles, photographs, postcard, a drawing, and published poetry books. Some of the records relate to her brothers, Richard Skimings and William Skimings, as well as A.M. Polley, Mrs. Flora A. Polley, and S.B. Williams.