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The fonds consists of material that documents Godard's professorial career and includes thesis advisory files, general correspondence, letters of recommendation, lecture notes, conference material, minutes and reports related to various departments and committees that she was involved with and additional material related to her work with the Canadian Federation of Humanities and to her work as editor of the "Bibliography of feminist criticism," "Gynocritics" among other publications. It also includes notes and drafts of her own writing including her undergraduate and graduate research, articles, book reviews, conference papers, drafts of her translations and a collection of chap books and broadsheets accumulated over the course of her career.

Fonds consists of copies of published and unpublished papers, journal articles, conference papers and reviews written by Lessem, course material, a copy of his M.Litt thesis, "The Style and Structure of Frescobaldi's Keyboard Ricercari and Fantasias", and other material that documents his career as an academic.

Fonds consists of personal and professional correspondence, clippings, programmes and related material that document Grossman's career as a dancer with the Paul Taylor Dance Company as well as the founding of the Danny Grossman Dance Company. It also includes contracts, grant applications and other financial records, citizenship papers, passports and other collected ephemera.

The fonds consists of documents pertaining to the Association of Cultural Executives such as letters patent, minutes and by-laws, correspondence and papers, financial records, reports, and printed material.

The fonds mainly documents bill bissett's activities as poet, visual artist, musician, and editor of Blewointment Press. The fonds consists of the following series: Personal papers, 1948-1999; Professional papers, 1962-1992; Material by and about others, 1967-1992; Photographs, 1962-1992; Memorabilia; Sound recordings, 1967-1992.

The fonds consists of scripts for Canadian Film Development Corporation film productions, including many that never entered the production phase, and others that were never released. Among the titles in the collection are 'Lies my father told me,' (written by Ted Allan, directed by Jan Kadar, 1973), 'La maudite Galette,' (written by Jacques Benoit, directed by Denys Arcand, 1971-1972), 'Rip-off,' (written by William Fruet, directed by Don Shebib, 1970-1971), 'The rowdyman,' (written by Gordon Pinsent, directed by Peter Carter, 1971-1972), 'Return to Rainbow Country,' (written by William Davidson, n.d.), 'Partners,' (written by Norman Snider and Don Owen, 1975), and other titles.

The fonds consists of correspondence, typescripts, financial records and related material of the Canadian Speakers' and Writers' Service Ltd for the period, 1950-1990. The client files have been arranged in two different ways: alphabetically by name of the client or, chronologically, with an alphabetic sub-division under each year. This includes correspondence to and from clients, as well as correspondence with publishers, the media, sponsors of talks, radio and television producers, and others, publicity, and material relating to CSWS clients. For several of the clients the files also include resumes, photographs (for publicity purposes), schedules, travel arrangements, newspaper clippings, reader's reports, royalty statements, and contracts. The clients include Earle Birney, Harry Boyle, Celia Franca, Larry Henderson, Frank Rasky, McKenzie Porter, Clyde Gilmour, Stanley Burke, sports personalities (Lord Athol Layton, 'Cookie' Gilchrist), Ben Wicks, and Marshall McLuhan, among others. There are also typescripts of works (novels, memoirs, plays, radio scripts, television scripts, musical scores) by several authors, including established writers and unpublished (and unsolicited) novels, articles, short stories, and similar material. Financial records include invoices, cancelled cheques, bank deposit slips, cash books, etc. In addition, there are office diaries for the period, 1951-1965. There are copies of professional publications, publishers' catalogues, anthologies of plays, newsletters, copies of labour agreements between the Canadian Broadcasting Corporation and ACTRA, ACTRA documents (constitution, etc), newspaper clippings, correspondence and related material from potential employers of CSWS' clients. There is a separate collection of the correspondence of Marshall McLuhan, which was utilized in a published Correspondence volume, edited by his wife and Matie Molinaro, president of CSWS. In addition, there are galleys of McLuhan works ('Laws of the media,'), correspondence and reports of the Centre for Culture and Technology, lecture invitations, various television and film proposals, scripts, and related correspondence, as well as material about McLuhan (books, articles, newspaper clippings, etc), and the 'Management game,' which includes a sample deck of cards used in the game as well as orders for the game. There are also audio tape cassettes, and video tape cassettes, of recordings and interviews of CSWS clients' work, including, Victor Davies, Allan Gould, Lister Sinclair, and others.

The fonds consists of typescripts of articles, galleys, art-work, editorials and related material from the production of the Review. There is also a great deal of correspondence with Canadian theatre companies and theatres, concerning productions, which includes playbills, programs, press releases and related material. There are also financial documents, including invoices for products published by CTR Publications, as well as some budget material.

The fonds consists of printed material, correspondence, photographs, slides, and related material of the Centre for Experimental Art and Design. The correspondence includes: correspondence with artists, galleries and other arts groups in Canada and overseas, dealing with CEAC exhibitions, CEAC-sponsored travelling shows, and communications concerning gallery events. There is also material dealing with granting agencies, including the Ontario Arts Council and the Canada Council. Also included is correspondence relating to the OCA and CC decisions to suspend funding to CEAC, letters of reaction from CEAC members and supporters. The fonds also has grant proposals and covering documentation, and other material. The fonds also contains various documents written by members of the collective defining the 'new ideology' which would usurp the cultural and political elites, define a post-modern aesthetic. There is also material on related artistic and intellectual ideas. There are newspaper clippings of CEAC events and exhibitions both from Canadian and foreign newspapers, invitations to events, flyers and other announcements of forthcoming events, and clippings about other performance and avant-garde arts in other cities and countries. The photographs and slides concern performances at CEAC, including material related to 'Crash and Burn'.

The fonds consists of records pertaining to the activities of the Danny Grossman Dance Company.

Fonds documents the meetings of the North Bay & District Historical Society and contains one minute book.

The fonds consists of McInnis' publication files, including scholarly articles and correspondence, drafts, research notes, photographs, and other material for "The Long Cold Peace: Treaty Making after World War II", "The East", "Canada: A Political and Social History", "North American Nations", and other works. Fonds also includes professorial files documenting his teaching at the University of Toronto and York University; Canadian Institute of International Affairs files; research files; and other material reflecting his varied interests in history, current events and world politics.

The fonds consists of a typescript of an autobiography by Frank Morriss composed in 1971. In addition, there are notes for an article on the Winnipeg 'Free press,' newspaper clippings of articles by Morriss in the 'Free press,' and copies of magazines with articles by Morriss.

The collection consists of the Ontario Folklore Archives which includes student essays and cassettes of folklore in Canada. Subjects discussed in the student essays include folk medicine, folklore from regions in Ontario and Canada (Oshawa, Ontario, Feversham, Ontario, Newfoundland), from cultural groups (Jews, Ukrainians, French Canadians), musical folklore, social folklore (children's jokes, urban graffiti), and related topics. In addition, there are recordings on audio cassettes and audio reels of Scottish folk songs and customs, old-time fiddling, songs of the Scottish regiment and of other subjects.

The fonds documents Bernard Ostry's education and personal life as well as his activities as public servant and author for the period 1940-1990.

Fonds consists of material pertaining to Raymond's portrayal of Abraham Lincoln on stage and film and includes photographs of Abraham Lincoln, sketches of Raymond as Lincoln, framed playbill on the night of Lincoln's assassination, framed Republican national ticket for President Lincoln, TV Guide awards for Raymond's performance in Tyger, Tyger and Dr. Kildare, and correspondence.

Fonds also consists of the Raymond Massey Rare Book Collection which he bequeathed along with the rest of the items in the fonds.

Fonds consists of the following series: Abraham Lincoln, Correspondence, Publicity, Raymond Massey Rare Book Collection.

The fonds consists of a series of letters between Enid Rutland and Margaret Laurence (1970-1983), dealing in the main with the production of 'The collected plays of Gwen Pharis Ringwood,' (1982), but containing some personal notes as well.

The fonds consists of correspondence, financial records, notebooks, galleys, and typescripts of Dame Edith Sitwell.

The fonds consists of typescripts for two works by the Clara McCandless Thomas and John Watt Lennox: one is the typescript of their work, 'William Arthur Deacon: a Canadian literary life,' with editorial changes in pencil, and the second is a chapter titled, 'A sense of belonging,' a study of the Canadian Authors Association, that was eventually incorporated into the Deacon book. Deacon was literary critic for the 'Mail and empire', (later the 'Globe and mail') and 'Saturday night magazine'. There are also computer printouts of index lists generated for the book on Deacon.