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File consists of one (1) copy of "Richard Outram: Essays on His Works," edited by Ingrid Ruthig. Outram's biography on p. 207 features direct references to the history of his family and life in Port Hope, ON.

Sous-fonds consists of artwork created by Sister Marie Celine Janisse, including pencil sketches and originals and prints of watercolour paintings. There is also personal correspondence, poetry, journal entries, and reflections, written both during and after her missions in Peru and Nicaragua. There are photographs, the majority in albums, of Sister Marie Celine’s artwork and of the Sisters with whom she worked. There is also a journal kept by Sister Marie Celine during a trip to the Holy Land.

Fonds consists of the archival contents of Betty Goodwin’s studio, including sketchbooks and notebooks in which she drew and recorded inspiration and ideas; loose sketches and notes; found and manufactured objects retained for their aesthetic or inspirational qualities; printing plates; folders containing inspirational found images and the artist’s re-workings of same; photographs of the artist and her work spaces; folders and a maquette relating to proposals for public commissions; a small amount of personal correspondence and publicity material; photographic documentation of her artwork; her numerous awards and honourary degrees; and video documentation of Goodwin’s dance collaborations.

Series of programs of entertainment and musical events that took place in Port Hope, a) Vinyl Cafe with Stuart McLean, at the Capitol Theatre, 1998 b) 'A Spring Concert' by the Upper Canada Boychoir at Port Hope United Church, April 20 1997 c)'An Evening with La Jeunesse Youth Orchestra' at the Capitol Theatre, April 28 2005 d) The Oriana Singers present 'Lest We Forget', at St. Paul's Presbyterian Church, Port Hope, November 7 1999 e) A promotional poster for a Friends of Music event

Series consists of Jean Augustine's collections of artwork, portraits, posters, social activist and political buttons and pins, campaign promotional material and other three dimensional items and ephemera accumulated during her professional life. Item lists are available upon request.

The sous-fonds contains the personal and business records of Mother Julia Moore. This includes personal and business correspondence, primarily from her tenure as General Superior; biographical records and photographs; her work, Beginnings in London Diocese 1868-1879; photographs and a diary from her trip to Italy and France; records from her trip to Ireland as part of the Ireland project; photographs and an account from her time in Peru; watercolour artwork gifted by Sister Mary Celine Janisse; photographs of the Pope and Papal mass; a yarmulke and photographs from the bar mitzvah of Irwin Zaifman; her speeches; her historical research, predominantly on the Sisters of St. Joseph; pamphlets and articles collected by Mother Julia Moore, notably of Pierre Wolff, S. J.’s works; information and documents pertaining to the International Union of Superiors General (U.I.S.G.); photographs and correspondence from the International Union of Mothers’ General meeting in 1969; a souvenir booklet from Pope John Paul II’s 1984 visit to Toronto, Canada; and a feast day book about the founder of the Congregation of the Sisters of St. Joseph of London, Reverend Jean Pierre Médaille. There is also material concerning the 2005 Lyon heritage display.

Composé de l'enregistrement de deux entretiens avec Robert Dickson, d'une transcription de ces entretiens et d'un article à paraître, ce fonds d'archives témoigne de certains aspects des intérêts de recherche de Lucien Pelletier.

En effet, les entretiens avec Robert Dickson, poète, récipiendaire du Prix littéraire du Gouverneur général 2002 en poésie, et professeur de littérature à l’université Laurentienne, ont été réalisés [mai et juillet 2004] dans le but de recueillir l'information nécessaire pour un article sur cet auteur, en abordant la perspective de la culture, et de l'échange culturel. Ainsi, Lucien Pelletier avait un plan d'entrevue pour ces deux entretiens.

Cette entrevue, réalisée en deux rencontres, témoigne du cheminement et du positionnement de Robert Dickson, par rapport à la littérature et à l’expression de la culture canadienne française. Ainsi, le rapport Québec-Ontario français et les courants d’écriture ou d’expression littéraire, sont abordés tout au long de ces entretiens.

Dickson parle de son enfance, de son éducation et des éléments qui ont eu une incidence sur son choix de vivre en français, bien qu'il soit d'une famille anglaise. De ses études à Toronto, puis à l'université Laval, en passant par ses séjours en France, et son arrivée à Sudbury, Dickson se raconte et cerne son cheminement littéraire et professionnel, tout en identifiant les gens et personnages qui ont eu une influence sur son écriture. Tout en discutant de ses écrits dans cette perspective, il parle aussi d’auteurs franco-ontariens tel que : Jean-Marc Dalpé et Patrice Desbiens, et du poète québécois Gaston Miron. Lucien Pelletier s’entretient aussi avec Robert Dickson d’autres aspects de ses activités dans le monde littéraire, tel que l'édition ou encore la traduction.

L'article que l'on retrouve dans ce fonds d'archives est de Lucien Pelletier et sera publié dans un ouvrage collectif sur l'échange culturel. Cet article, pour lequel les entretiens avec Dickson ont été faits et enregistrés est intitulé : « La migration culturelle de Robert Dickson ».

The fonds consists of various documents related to the history of the Woodstock Women’s Music Club. These records include:

• Minutes (includes membership lists)
• Financial statements, receipts, accounts
• Correspondence
• Insurance
• Membership
• Scrapbooks (includes recital programmes, newspaper articles,
  photographs, correspondence, constitution, etc)

Fonds consists of materials created by the Capitol Theatre Foundation over the course of renovations of the historic movie theatre, in Port Hope, 1992-2004.

The fonds consists of material which documents Williamson's career as a fine arts bibliographer, librarian and instructor along with associated professional and scholarly activities. It includes correspondence and reports prepared for collection acquisitions (e.g. Germain Bazin library, archives and postcard collection), other library initiatives, interactions with various library departments, and departments in the Faculty of Fine Arts including visual arts, dance, and theatre; material related to her work on YUFA, PLAYU (Professional Librarians Association of York University), the Librarians' Group, and other York University and library committees; exhibition catalogues, monographs, articles and conference presentations authored by Williamson; and research materials, grant files and teaching files. The fonds also includes a collection of letters and photographs that Williamson sent home during her stay at various summer camps between 1940 and 1951, material related to the Moore Park Ratepayers' Association, and a collection that Williamson acquired consisting of 63 photocopied letters from literary and artistic figures in Canada such as Susanna Moodie and George Munro Grant, addressed to Louisa Murray (1818-1894), literary critic and writer on feminist issues.

This series documents the Community Days. The series contains material covering ten different years. The Community Days were not held every year, but Assembly meetings were held every two years, and Chapter meetings were held every four years. The series contains various materials related to these meetings. Some of the most interesting materials include, for example, a Windsor workshop that taught Sisters to experience negotiation, meditation, and to practice active listening communication; the celebration of the 125th Anniversary (1993); a workshop on managing differences and conflict situations (2002); and other workshops and conferences.

The series contains schedules of congregational days, leadership style notes, spiritual exercises, prayers, workshop notes, “coming soon” reminders and “welcome” sheets, musical sheets for prayers and songs, short writings about the congregational history, correspondence related to the Community gatherings, reviews of new publications, ceremonies and celebrations, talks, corporate stances, photocopies of articles or short book chapters. It also contains printed brochures with prayers, theological reflections, other kinds of spiritual reflections, and conference materials.

This series contains material created and used by Mother Angela and research on her conducted by others. The series has four subseries. In it is found biographical information collected about Mother Angela McKeogh as well as a small card gifted by her to Sister Mary in 1910. There is also a copy of Oliver Diston Company’s Wreath of Mary: companion to May Chimes, 1883 annotated by Mother Angela in 1902, and handwritten sheet music for various hymns. Also found are photographs of Mother Angela. Finally, there is material related to the Ontario legislation on teaching French and allegations made against Bishop Michael Francis Fallon by the French community which eventually led to Bishop Fallon bringing a defamation case before the Holy Rota in Rome. While there is photocopied correspondence, the majority of the material is secondary research.

Collection consists of material collected by Paul Delaney in his research for his book After the Fire and during his many years as both an employee of Sainte-Marie among the Hurons and as a member of the Friends of Sainte-Marie.

The fonds is organized in the following series. Those series most pertinent to Gerry’s work and interest in canoes and history are Series A to F. However, the photographic collections found elsewhere contain many shots related to canoeing history. The papers are also distinguished by materials related to the lives of his parents and grandparents and his uncle, Mel Sucee.

A. Wooden Canoe Heritage Association, 1993-2003 (Files 1-120, 902- ) 1.5 m
B. Heritage Canoe Festival, 1985-1996 (Files 121-157) 25 cm
C. Canadian Canoe Museum, 1990-2003 (Files 158-165) 7 cm
D. Peterborough Centennial Museum and Archives, 1986-1987 (Files 166-169, 585-586) 5 cm
E. Peterborough Historical Society, 1987-1998 (Files 170-192) 20 cm
F. Peterborough Canoe History, 1976-2003 (Files 193-519, 587-593) Research materials from 1850s to present 1.5 m
G. Cottage life, 1977-1992 (Files 520-558, 797, 898-901) 45 cm
H. Bell Canada, 1970-1995 (Files 559-565) 13 cm
I. Mary and Gerry Stephenson, 1938-1993 (Files 566-584; 594-622) 35 cm
J. Gerry Stephenson photographic, 1967-2000 (Files 623-720, 773) 60 cm
K. Gerry Stephenson slides, 1949-1993 (Files 721-757) 25 cm
L. Dainard family, 1951, undated (Files 758-764) 5 cm
M. Fred Stephenson and family, 1940s-1990s (Files 765-796, less 773; 809-829; 867-885, 897) 35 cm
N. Joseph Sucee family, 1904-1930 (Files 798-808, 886-896) 15 cm
O. Mel Sucee, 1890s-1940s (Files 830-866) 10 cm
P. Mel Sucee, moving film collection

The fonds consist of various materials related to the career of Betty McArthur including reproductions of her pen and ink sketches of scenes of Woodstock and photographs taken by her of Woodstock homes as well as photos of herself painting. In addition, the fond includes several miscellaneous items including copyright for her book “Fine Lines Around Woodstock”, a programme of a 1996 Show at the Woodstock Art Gallery of her work, and newspaper articles.

An umbrella organization for Finnish male choruses in North America.

The records relate to the organization's administration and finances, and to major events including nine performing tours of Finland and performances in North America.

Member choirs have included:
Chicago: Sibelius Male Chorus
Detroit: Finlandia Male Chorus
Florida: Male Singers of Florida
Los Angeles: Finnish Male Chorus
New York: New Yorkin Laulumiehet
Sault Ste Marie: Sault Finnish Male Chorus "Kaleva"
Sudbury: Sudburyn Laulumiehet
Thunder Bay: Mieskuoro Otava Male Choir
Toronto: Toronton Mieslaulajat
Vancouver: Vancouverin Mieslaulajat

Records consist of interviews between Peter Fergus-Moore and various individuals, recorded as part of his work as a freelance journalist. Interviewees include:

Biljana Baker, artist (1 tape)
Confederation College film students, multiple interviews (1 tape)
Roy Coran, musician (1 tape)
Gloria Dowton, Magnus Theatre (1 tape)
GAMI, youth arts collective associated with Definitely Superior Art Gallery (1 tape)
Jorma Halonen, history of socialist bookstore in Port Arthur (2 tapes)
Dusty Miller, former mayor (1 tape)
Diane Potts, Magnus Theatre (1 tape)
Sleeping Giant Folk Society (1 tape)
Norman Sponchia, artist (1 tape)
Brad Stephenson, filmmaker (1 tape)
Charles Wilkins, author (1 tape)

Northwestern Ontario Prospectors’ Association Interviews:
Moe Lavigne, geologist (2 tapes)
Northwestern Ontario Prospectors’ Association Symposium (1 tape)
Ruth Petrunka, widow of prospector Dave Petrunka (2 tapes)
Stares brothers (3 tapes)
Mel Stewart, prospector (2 tapes)