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The fonds consists of 53 letters, 1 annotated article by Lawrence Burpee, and 1 article about Lawrence Burpee by Pelham Edgar. The majority of the letters were written by Burpee to the Arthur H. Clark Company and concern the publication of the book series "Fur Traders of the North".

Fonds consists of correspondence from Woolf to Ellen Alderm, 1935, and Mrs. Easdale, 1935, 1964-1968, primarily regarding submissions to Hogarth Press; and a letter from Woolf to Miss Kirkpatrick.

The fonds consists of Horning’s records pertaining to his activities as an academic. The fonds includes correspondence relating to A Bibliography of Canadian Fiction (1897-1904); correspondence with Lawrence J. Burpee (1900-04) and with Wilfred Campbell (1895-1905); (annotated) articles; (annotated) copies of A Bibliography of Canadian Fiction, Exercises in German Composition, The German Drama of the Nineteenth Century, and other publications; lecture notes; personal and other material.

Fonds consists of Margaret Gray's research material for the Canadian Artist series. Records include letters and correspondence, early manuscript drafts, notes, and audio cassettes featuring interviews with her subjects.

The fonds is comprised of the following series:
Series 1: Records relating to Charles Comfort
Series 2: Records relating to A.J. Casson
Series 3: Records relating to Carl Schaefer
Series 4: Records relating to Yvonne McKague Housser
Series 5: Records relating to research

Fonds consists of four small travel journals belonging to Margaret Gairns that describe several of her trips to Britain in the summers of 1936, 1938 and 1954. The fonds also contains a copy of her MA thesis from Victoria College on Mary Wollstonecraft, which she completed in the mid 1930s. The three photographs show Margaret Gairns with her lifelong friend Marjorie Mann (nee Diehl) VIC3T1, and Marjorie's daughter Susan, whom Margaret considered like her own child.

Fonds contains records relating to Mario Pratesi's career as a writer, as well as family records.

Fonds consists of the following series:

Series 1: Correspondence
Series 2: Records relating to literary work
Series 3: Photographs
Series 4: Family records

The fonds consists of Marjorie Pickthall’s records pertaining to her activities as a poet and writer. The fonds includes: correspondence, including correspondence with Helena Coleman (1908-22), and Pelham Edgar (1903-04); manuscripts including (annotated) poems, short stories and articles; personal material including photographs; artistic material by Pickthall including paintings and drawings; and, other material.

Mary Rowell Jackman was a graduate of Victoria University (B.A. 1925) who was a prominent philanthropist, social activist and patron of the arts. The fonds consists of records in the following ten series: correspondence, 1824–1994; student and alumnus records, 1915–1994; family records, 1904; records relating to finances, [192–?]–1994; social activism and religion, 1913-1994; records relating to art and artists, 1928-1994; records relating to travel, 1901–1994; records relating to Sky Works documentary, 1994–2005; photographs, 1910–1989; and, memorabilia and ephemera, 1920–1994.

Fonds consists of records relating to Michael Bedard's career as an author, including his research and drafts, correspondence with publishers and illustrators, reviews, and awards, 1978-2009. It is arranged by work: Woodsege and Other Tales (published 1979), Pipe and Pearls (published 1980), A Darker Magic (published 1987), The Lightning Bolt (published 1989), Redwork (published 1990), The Tinder Box (published 1990), The Nightingale (published 1991), Emily (published 1992), Painted Devil (published 1994), The Divide (published 1997), Glass Town (published 1997), The Clay Ladies (published 1999), The Wolf of Gubbio (published 2000), Stained Glass (published 2001), The Painted Wall and Other Strange Tales (published 2003), William Blake: The Gates of Paradise (published 2006), and Published Texts.

Fonds consists of Michael Phillips' records relating to his academic writings, including his extensive correspondence with Blake scholars, publishers, and printers as well as records related to lectures, exhibits and research in printmaking.

Photographs are of images of works by Blake, printmaking techniques and tools as well as images used in the catalogue for the Ashmolean Museum's Blake exhibition in 2014.

The fonds is divided into the following series:

Series 1: Correspondence
Series 2: Records relating to writings and publications
Series 3: Records relating to lectures and conferences
Series 4: Records relating to exhibitions
Series 5: Records relating to research
Series 6: Records relating to Blake scholars

The fonds consists of records associated with Claire Pratt’s career as writer and artist, in addition to family records. Fonds is arranged into four series:

Series 1: Personal Materials
Series 2: Writings, Research, and Editorial Files
Series 3: Pratt Family Records
Series 4: Art and Poetry

Fonds consists mostly of correspondence and other material relating to MacLure's career as a scholar and teacher of English literature. The first series of general material includes copies of curriculum vitae, lists of his publications, texts of addresses, review articles, and notes on Dickens. Several autobiographical essays, scripts, and pen drawings in the same series are more personal in nature. The second and largest series consists of correspondence, most of which involves professional concerns. The general correspondence files, however, do contain personal items. The third series includes offprints of MacLure's published articles and reviews, as well as reviews of his books by other authors. Series four consists of research notes on the Paul's Cross sermons and preachers, and series five of notes on George Chapman and "Renaissance psychology".

The archive of celebrated Canadian film director-producer Norman Jewison contains photographs and publicity materials, papers and correspondence, shooting scripts and schedules primarily for films directed or produced by Jewison between the years 1975 and 2003. Materials related to the films Fiddler on the Roof, …And Justice for All, A Soldier’s Story, Moonstruck, The Hurricane, The Statement and others undertaken by Jewison are held in this collection.

Fonds is comprised of the following series: Series 1: Films directed by Norman Jewison, 1966–2003; Series 2: Television productions, 1994–2001; Series 3: Shooting scripts, 1981–2003; Series 4: Films produced by Norman Jewison, 1966–1994; Series 5: Film projects not undertaken, 1971–2002; Series 6: Professional activities, tributes and honours, 1968–2007; Series 7: Correspondence/subject files, 1962–2007; Series 8: Canadian Film Centre, 1987–2004; Series 9: Autobiography, 1953–2005; Series 10: Photographs and posters, [1926?]–[2003]; Series 11: Memorabilia and publicity material, [194–?]–2007.

Fonds consists of records associated with Frye's academic career in addition to some personal records. The fonds is comprised of the following series:

1) Correspondence files
2) Literary files
3) Personal files
4) Professional files
5) Audio-visual records
6) Publications by Northrop Frye
7) Files about Northrop Frye
8) Artifacts
9) Miscellaneous printed files
10) Files relating to the estate of Northrop Frye
11) Collected Northrop Frye records

The fonds contains records of Paul Bouissac and consists of three series:

Series 1: Records relating to writing and academic work, 1955–2018
Series 2: Records relating to the Debord Circus and other circuses, 1955–1985
Series 3: Correspondence, [195?]-2021

Based on the existing arrangement of the material, the fonds consists of the following series:

Series 1: Material relating to Pelham Edgar
Series 2: Material relating to J. D. Edgar and Matilda Ridout Edgar
Series 3: Material relating to Audrey Alexandra Brown
Series 4: Material relating to Charles G. D. Roberts
Series 5: Material relating to Duncan Campbell Scott

Fonds consists of reports made for the Canadian Federation for the Humanities Aid to Publications Programme regarding Hess's manuscript "Thought and Experience" and letter from Hess in response, 1986; manuscript of "Thought and Experience", [ca. 1988]; and paper titled "Why Reasons Can't Be Causes", [198-?].

The fonds consists of Peter Jones’s records pertaining to his activities as a minister, author and translator, and to his personal life. Records include correspondence; autobiographical material; hymns in translation (1877); histories of the Ojibwa Indians; (notes for) sermons and other professional material; diaries (1829), journals, photographs and other personal material; miniature portraits of Peter Jones and Eliza Field (by Matilda Jones); material about Jones including leaflets and clippings; and other material including petitions from Natives (1826–1844). Materials relating to Eliza Jones (née Field) include correspondence, primarily with members of her family; personal material including notes on sermons, 20 diaries/notebooks (1823–1883) and photographs; and other material. Also included in the collection are materials relating to John Sunday, including a photograph, a clipping, the record of his ordination as a minister and a bible.

Fonds consists of letters, postcards and an invitation from Bell to Simon Watney, 1972-1991, regarding publishing, finances, artistic matters and other topics. Also includes two letters from Anne Olivier Bell to Watney.