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Series consists of four files of editorial Records and submitted material relating to Watson's role as editor of the journal White Pelican, including essays, poetry, book reviews and experimental creative writing by Gordon Peacock, Henry Kreisel, Wilfred Watson, Bert Almon, E.D. Blodgett, Elizabeth McLuhan, Diane Bessai, and Roy Kiyooka (including two of his Photographs), as well as a four page typed introductory essay by Watson, "About Pelicans" which appeared in the first issue of the journal, and a promotional flyer announcing the journal's launch.

Fonds consists of records documenting the activities and functions of the Koffler Centre of the Arts and its role in bringing Jewish-inspired visual, dance, dramatic and musical arts to the community. Included are records related to its Board of Directors and committees, its former affiliation with the Bathurst Jewish Community Centre and the YM-YWHA, building campaigns, financial operations, art exhibitions, the Jewish Book Fair and Bookmark Project, educational programming, performances and special events. Records include meeting minutes, memoranda, correspondence, committee reports, budget and financial statements, press clippings and reviews, program guides, art exhibition catalogues, artist statements and CVs, promotional material, photographs, architectural drawings, a sound recording and moving images. The fonds is arranged into the following ten series: Board of Directors, Committees, Planning and Development, Financial and Administrative, Public Relations, Educational Programming, Book Fair, Art Exhibitions, Performances and Events and the Bookmark Project.

File consists of draft versions of "The Great Farini" by Shane Peacock, 1994-1995. It includes: First draft (795 pp), Second Draft (645 pp) and selected bibliography (30 pp).

Series consists of newspaper clippings and information on the Molson's Mill Art School, c1955-1981. It includes a type-written excerpt from "The Barley and the Stream" by Merrill Denison (1955). Articles were clipped out of the Port Hope Evening Guide by N. Tom Long.

Donated to the Port Hope Archives by B. Loucks, 2015. Donor is the grand-daughter of Josephine Stuart-Grant.

File consists of an art folder and watercolours by Henrietta Haultain in 1914. First painting dated Sep 1914 "The little white house in the first valley of Monkey Mt. Port Hope" and "The view from the top of the hill, Monkey Mountain Oct. 22nd 1914." This image appears to show Trinity College School.

File consists of documents related to the American Wind Symphony Orchestra event held during Port Hope Sesquicentennial celebrations, 1984. It includes: Posters; Correspondence; Meeting Agendas; Itineraries; Media Coverage.

Item is a framed print from the Douglas R. Greer Collection entitled: "The Sasquatch: Pintail & Widgeoncollar Models," 1996. Includes the following caption: "The Sasquatch is a streamer fly named by North American aboriginals after the legendary BIGFOOT bushman of the Canadian Rockies, and YETI, the Abominable Snowman of the Himalayas. It's notable that aboriginals were tying flies 1000 years ago. Streamer flies are usually imitators of baitfish minnows, many of which were designed to use the feathers of the African Marabou in successfully substituting dyed Canadian turkey."

File consists of associated documentation related to the Douglas R. Greer Fly-Fishing Print Collection, c1996-2012. It includes: copies of prints from the original calendar and the Greer Collection, articles written about / by Douglas R. Greer, two (2) informational plaques for display with the prints, two (2) photographs, correspondence, and a copy of Douglas R. Greer's Tool Maker's History essay.

Item is a framed print from the Douglas R. Greer Collection entitled: "The Roe Blue & Roe Purple," 1996. Includes the following caption: The Roe Blue & Roe Purple wet-fly trout patterns are attributed to Bill Monaghan, a fly-tyer on the River Roe at the town of Linavady, Northern Ireland. These attractive designs were originally created as salmon flies using goat hair dyed purple and blue, now superseded by seal hair and smaller hooks. Until the mid-1990s, fly-fishing in North America was generally synonymous with wet-flies. But as fishing flourished, trout became increasingly selective, which spurred the creation of sophisticated nymph patterns emulating the actual stages of underwater life, plus many accurate imitations of emerging adult insects."

Item is a framed print from the Douglas R. Greer Collection entitled: "Hatching Caddis," 1996. Includes the following caption: "There are more than 2000 species of Caddisflies, (some species are known as sedge-flies), comprising an ever-present fertility for fly-casters on Ontario trout streams such as the Ganaraska and the Grand. Caddisflies represent an astonishing 50 per cent of the Grand River's invertebrates, and unlike Ontario's Mayflies - which live for only a day - the Caddisfly's productive life-cycle can last for a month or more."

The fonds consist of various materials related to the career of Betty McArthur including reproductions of her pen and ink sketches of scenes of Woodstock and photographs taken by her of Woodstock homes as well as photos of herself painting. In addition, the fond includes several miscellaneous items including copyright for her book “Fine Lines Around Woodstock”, a programme of a 1996 Show at the Woodstock Art Gallery of her work, and newspaper articles.

The Entertainment Department fonds, RG 10, is arranged and described at the series level, with an accompanying file list. The fonds consists of a single series: Subject Files (RG 10-0-1).

Textual records in the fonds consist of correspondence, reports, contracts, schedules, minutes, charts and policies related to the Entertainment Department staff, musicians, performers and other entertainers, competition contestants, and CNE visitors. Graphic and printed materials include photographs of dancers, parades and parade floats, costumed characters, music and dance competitions, and other events coordinated by the Entertainment Department, as well as pamphlets and brochures.

Few documents exist for the years 1952-1980 (for further records from this time period, see RG 10-2, Music Department fonds). No records exist for the year 1984. When the CNE became independent in 2013, they retained their administrative and operational records from that year. Those records, and any new records created after that date, are the property of the CNE and are stored in the CNE offices or the CNE Archives. As a result, only one further accrual is expected for RG 10 for the records created between 2000 and 2012, which still fall under the retention schedule as of 2018.

The fonds contains resources used and created in the compilation of The London Township History Book. The two-volume book details the history of London, Ontario and its surrounding areas, detailing multiple elements such as geography, industry, and community. The fonds contains thirty two series; series 1-9 relate to the administration of the book project proper; series 10-25 relate to the chapters of VOlume 1 of the London Township History Book (one series per chapter).

Fonds documents the meetings of the North Bay & District Historical Society and contains one minute book.

The CNE Art Catalogue Collection consists of art exhibition catalogues spanning the years 1879 - 1974. The collection is arranged chronologically.
Each catalogue includes information on the art and artists included in the exhibition, and often include examples of some of the works.

Fonds consists of personal and professional records of Canadian painter Jack Bush, created chiefly in Toronto during the 1930s to 1970s: his personal diaries; record books containing notes on his paintings; photographs (slides, transparencies, negatives and prints) largely of his paintings but also of his studio, exhibit installations and other subjects; with scrapbooks of newspaper and magazine clippings about the artist, exhibition notices, examples of his commercial art, and further records of his paintings.
Contains series:

1. Diaries
2. Record books
3. Photographs
4. Scrapbooks
5. Commercial art

Le Fonds Guy Lizotte comprend des documents textuels et sonores témoignant de la vie et de l’œuvre de son créateur. On y retrouve les premières versions de certains poèmes de ses œuvres publiés, des poèmes inédits, des contes et des notes au sujet des plantes que l’auteur affectionnait. Parmi les enregistrements sonores, un seul n’a pas été conservé.

The fonds contains textual and photographic information about Jacques Poirier. Among the documents are unpublished poems and manuscripts associated with the four poetry publications of the donor. Documents related to Les Éditions du Nordir, unpublished poems written by Robert Yergeau and two plays written by Pierre Albert are also included.

Fonds contains records relating to Opera Laurier performances including programs, promotional material, planning material, audio recordings and video recordings.
For many performances, the records include production books outlining stage blocking, lighting cues and other information as well as annotated scores.