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Fonds consists of material of Brad's time as a student at Appleby College. In particular, it includes material pertaining to his time as a member of the school's Coronation Choir. Fonds consists of two series: Coronation choir and School days.

The fonds consists of material that documents Pittman's work in film and television and includes scripts, storyboards, correspondence, financial records, publicity material, shooting schedules, edit sheets, research material, grant applications and other related material. It includes photographs taken during the production of a number of his films and audio-visual records in various formats that document the various stages in the making of film and television productions with which Pittman was involved. There is considerable material relating in particular to "Shattered City". The fonds also includes a series of audio recordings of interviews conducted by Pittman for "Saturday Night at the Movies" with film directors including Bernardo Bertolucci, Robert Altman, and Norman McLaren among others.

Fonds consists of more than 60 letters, newsletters, poems, and greeting cards written by Margaret Laurence to Ian and Sandy Cameron, as well as a copy of Laurence's will. The correspondence discusses Laurence's work as a writing instructor and speaker at the University of Toronto, her relationship with other Canadian writers and Clara Thomas, her move from Toronto to Lakefield, and her involvement with the Writers' Union of Canada conference in Ottawa in November 1973. Laurence comments extensively on her own works and her efforts to encourage other writers (including Ian Cameron), her efforts to produce a recording of songs with her lyrics and Cameron's musical score to accompany "The diviners," the film contract based on this novel, and her elation at winning the Molson Prize in 1975. The correspondence also discusses her divorce from Jack Laurence, her relationship with her children, and her views on social and generational change. The correspondence is accompanied by nine vinyl recordings given by Laurence to the Camerons that feature European classical music, African palm wine music, and Ghanian highlife music. The fonds also contains five letters from John Ruskin, the Victorian writer and art critic, to Kate Towney and Arbuthnot Cameron, 1865-1867, regarding Towney's marriage and financial affairs, mineral collecting, and ideas from Ruskin's book, "Modern painters." These letters are accompanied by notes and transcripts, as well as a letter written in 1907 regarding the Ruskin correspondence.

The fonds documents the Canada Dance Festival's operational and administrative activities. Records consist of financial records and contracts; grant applications, sponsorship and fund raising files; correspondence and other administrative records including reports; and publicity, special event and marketing records. Also included are posters used in the advertising and marketing of the festival.

Fonds consists of an accumulation of files kept by several different members of the Canadian Association of Professional Dance Organizations which have been maintained in the manner in which they were received. They contain correspondence, minutes, reports, financial records, items used for publicity, resource material and other material.

The fonds consists of scripts for Canadian Film Development Corporation film productions, including many that never entered the production phase, and others that were never released. Among the titles in the collection are 'Lies my father told me,' (written by Ted Allan, directed by Jan Kadar, 1973), 'La maudite Galette,' (written by Jacques Benoit, directed by Denys Arcand, 1971-1972), 'Rip-off,' (written by William Fruet, directed by Don Shebib, 1970-1971), 'The rowdyman,' (written by Gordon Pinsent, directed by Peter Carter, 1971-1972), 'Return to Rainbow Country,' (written by William Davidson, n.d.), 'Partners,' (written by Norman Snider and Don Owen, 1975), and other titles.

The fonds consists of correspondence, typescripts, financial records and related material of the Canadian Speakers' and Writers' Service Ltd for the period, 1950-1990. The client files have been arranged in two different ways: alphabetically by name of the client or, chronologically, with an alphabetic sub-division under each year. This includes correspondence to and from clients, as well as correspondence with publishers, the media, sponsors of talks, radio and television producers, and others, publicity, and material relating to CSWS clients. For several of the clients the files also include resumes, photographs (for publicity purposes), schedules, travel arrangements, newspaper clippings, reader's reports, royalty statements, and contracts. The clients include Earle Birney, Harry Boyle, Celia Franca, Larry Henderson, Frank Rasky, McKenzie Porter, Clyde Gilmour, Stanley Burke, sports personalities (Lord Athol Layton, 'Cookie' Gilchrist), Ben Wicks, and Marshall McLuhan, among others. There are also typescripts of works (novels, memoirs, plays, radio scripts, television scripts, musical scores) by several authors, including established writers and unpublished (and unsolicited) novels, articles, short stories, and similar material. Financial records include invoices, cancelled cheques, bank deposit slips, cash books, etc. In addition, there are office diaries for the period, 1951-1965. There are copies of professional publications, publishers' catalogues, anthologies of plays, newsletters, copies of labour agreements between the Canadian Broadcasting Corporation and ACTRA, ACTRA documents (constitution, etc), newspaper clippings, correspondence and related material from potential employers of CSWS' clients. There is a separate collection of the correspondence of Marshall McLuhan, which was utilized in a published Correspondence volume, edited by his wife and Matie Molinaro, president of CSWS. In addition, there are galleys of McLuhan works ('Laws of the media,'), correspondence and reports of the Centre for Culture and Technology, lecture invitations, various television and film proposals, scripts, and related correspondence, as well as material about McLuhan (books, articles, newspaper clippings, etc), and the 'Management game,' which includes a sample deck of cards used in the game as well as orders for the game. There are also audio tape cassettes, and video tape cassettes, of recordings and interviews of CSWS clients' work, including, Victor Davies, Allan Gould, Lister Sinclair, and others.

The fonds consists of typescripts of articles, galleys, art-work, editorials and related material from the production of the Review. There is also a great deal of correspondence with Canadian theatre companies and theatres, concerning productions, which includes playbills, programs, press releases and related material. There are also financial documents, including invoices for products published by CTR Publications, as well as some budget material.

Fonds consists of materials created by the Capitol Theatre Foundation over the course of renovations of the historic movie theatre, in Port Hope, 1992-2004.

Series includes hand-painted posters used to advertise movies at the Capitol Theatre, Port Hope.

Fonds consists of fourteen (14) movie posters created by and for the Capitol Theatre, 20 Queen Street, Port Hope. All the movies were screened between 1941-1942.

Fonds consists of newspapers, photographs, financials, and personal documents relating to the professional and private lives of Carl Mantz, including his wife Elizabeth Gibson. Included in the fonds are records pertaining to the purchase and maintenance of the Whitby Weekly News building, correspondence and letters regarding his enlistment in the RCAF, programs and background information for the Ten Centuries concerts, and the meeting minutes for his initiatives concerning Whitby senior citizens. Of particular interest are the newspaper photographs which represent various events, people, and places of Whitby in the 1950s and 1960s. The fonds is composed of the following series: Elizabeth G. Gibson records, 1969; Personal records, 1931-1980; Community Involvement records, 1962-1975; Financial records, 1938-1971; Clippings; and Photograph 1950s-1960s.

The fonds consists of notes, drafts and research material related to the publications "The edge of the world," "Emma's dead," "Headstand," "If I knew I'd tell you," "Lovers and other strangers," "Mixed-up grandmas," "The adultery handbook," "Colville's People" and "Cathedral Women." It also includes personal and professional correspondence, clippings of stories about Malyon and/or reviews of her work, lecture notes, grant applications, writer-in-residence application as well as other material that documents her career as a writer.

The fonds consists of printed material, correspondence, photographs, slides, and related material of the Centre for Experimental Art and Design. The correspondence includes: correspondence with artists, galleries and other arts groups in Canada and overseas, dealing with CEAC exhibitions, CEAC-sponsored travelling shows, and communications concerning gallery events. There is also material dealing with granting agencies, including the Ontario Arts Council and the Canada Council. Also included is correspondence relating to the OCA and CC decisions to suspend funding to CEAC, letters of reaction from CEAC members and supporters. The fonds also has grant proposals and covering documentation, and other material. The fonds also contains various documents written by members of the collective defining the 'new ideology' which would usurp the cultural and political elites, define a post-modern aesthetic. There is also material on related artistic and intellectual ideas. There are newspaper clippings of CEAC events and exhibitions both from Canadian and foreign newspapers, invitations to events, flyers and other announcements of forthcoming events, and clippings about other performance and avant-garde arts in other cities and countries. The photographs and slides concern performances at CEAC, including material related to 'Crash and Burn'.

This fonds contains one folder of notices including one from the Royal Commission for National Development in the Arts, Letters and Sciences, an outgoing notice pertaining to the addition of Kay Homan to the CJBQ staff, an invitation to a Radio Club Dance from 1958, the Christmas Eve program and holiday wishes for 1959, a newspaper clipping with a photograph of Sports Editor Jack Devine contemplating using a Pogo Stick in the 1969 Walk-a-thon, and a blank cue sheet for the weatherperson. The publications folder contains an advertising brochure entitled, "The Things We'll Do This Summer," several copies of the serial 'CJBQ cues' and the 'Voice of the Bay of Quinte' newsletter. The final folder contains information pertaining to the Grove Island archaeological work and reporting done by News Editor Gerald Boyce.

The fonds documents the activities of Claire Coates as a member, director and vice-president of the Canadian National Exhibition Association, and her participation on various CNEA committees.

The fonds is divided into two series. MG 1-0-1, Committee files, consists of agendas, minutes, correspondence, and support material of the Archives and Foundation Committee, Arts, Crafts and Hobbies Committee, Feature Country Committee, Program Development and Review Committee, Horticulture Advisory Committee, Long-Range Planning and Development Committee, and Women's Committee, committees on which Claire Coates served.

Series MG 1-0-2, Artifacts, consists of 17 CNE badges, presented to Claire Coates in her capacity as a member of the Canadian National Exhibition Association, Women's Committee, and as an associate director, director and vice-president, and 14 lapel pins issued by the CNE.

The fonds consists of typescripts for two works by the Clara McCandless Thomas and John Watt Lennox: one is the typescript of their work, 'William Arthur Deacon: a Canadian literary life,' with editorial changes in pencil, and the second is a chapter titled, 'A sense of belonging,' a study of the Canadian Authors Association, that was eventually incorporated into the Deacon book. Deacon was literary critic for the 'Mail and empire', (later the 'Globe and mail') and 'Saturday night magazine'. There are also computer printouts of index lists generated for the book on Deacon.

The CNE Art Catalogue Collection consists of art exhibition catalogues spanning the years 1879 - 1974. The collection is arranged chronologically.
Each catalogue includes information on the art and artists included in the exhibition, and often include examples of some of the works.

Fonds consists of documentation of Colette Whiten’s artistic career, including records of exhibitions, commissions, grants, awards, and experiments with materials. Documentation of Whiten’s public art collaborations with Paul Kipps is included. Fonds also includes records of Whiten’s teaching activity at several different institutions, including the Ontario College of Art.
Contains series:

1. Colette Whiten’s files
2. Teaching files
3. Documentation of art works
4. Project boxes
5. Experimental work and material samples
6. Publicity material
7. Personal / other photo documentation