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Peter Fergus-Moore fonds
Archief · 1990 - 2002

Records consist of interviews between Peter Fergus-Moore and various individuals, recorded as part of his work as a freelance journalist. Interviewees include:

Biljana Baker, artist (1 tape)
Confederation College film students, multiple interviews (1 tape)
Roy Coran, musician (1 tape)
Gloria Dowton, Magnus Theatre (1 tape)
GAMI, youth arts collective associated with Definitely Superior Art Gallery (1 tape)
Jorma Halonen, history of socialist bookstore in Port Arthur (2 tapes)
Dusty Miller, former mayor (1 tape)
Diane Potts, Magnus Theatre (1 tape)
Sleeping Giant Folk Society (1 tape)
Norman Sponchia, artist (1 tape)
Brad Stephenson, filmmaker (1 tape)
Charles Wilkins, author (1 tape)

Northwestern Ontario Prospectors’ Association Interviews:
Moe Lavigne, geologist (2 tapes)
Northwestern Ontario Prospectors’ Association Symposium (1 tape)
Ruth Petrunka, widow of prospector Dave Petrunka (2 tapes)
Stares brothers (3 tapes)
Mel Stewart, prospector (2 tapes)

Community Days series
CA ON00279 F01-S095 · Reeks · 1988-2004

This series documents the Community Days. The series contains material covering ten different years. The Community Days were not held every year, but Assembly meetings were held every two years, and Chapter meetings were held every four years. The series contains various materials related to these meetings. Some of the most interesting materials include, for example, a Windsor workshop that taught Sisters to experience negotiation, meditation, and to practice active listening communication; the celebration of the 125th Anniversary (1993); a workshop on managing differences and conflict situations (2002); and other workshops and conferences.

The series contains schedules of congregational days, leadership style notes, spiritual exercises, prayers, workshop notes, “coming soon” reminders and “welcome” sheets, musical sheets for prayers and songs, short writings about the congregational history, correspondence related to the Community gatherings, reviews of new publications, ceremonies and celebrations, talks, corporate stances, photocopies of articles or short book chapters. It also contains printed brochures with prayers, theological reflections, other kinds of spiritual reflections, and conference materials.

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Mother Angela McKeogh series
CA ON00279 F01-S002 · Reeks · 1827 [photocopied 200-?]-2004

This series contains material created and used by Mother Angela and research on her conducted by others. The series has four subseries. In it is found biographical information collected about Mother Angela McKeogh as well as a small card gifted by her to Sister Mary in 1910. There is also a copy of Oliver Diston Company’s Wreath of Mary: companion to May Chimes, 1883 annotated by Mother Angela in 1902, and handwritten sheet music for various hymns. Also found are photographs of Mother Angela. Finally, there is material related to the Ontario legislation on teaching French and allegations made against Bishop Michael Francis Fallon by the French community which eventually led to Bishop Fallon bringing a defamation case before the Holy Rota in Rome. While there is photocopied correspondence, the majority of the material is secondary research.

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Musical Event Programs
2019.5.4 · 1997 - 2005

Series of programs of entertainment and musical events that took place in Port Hope, a) Vinyl Cafe with Stuart McLean, at the Capitol Theatre, 1998 b) 'A Spring Concert' by the Upper Canada Boychoir at Port Hope United Church, April 20 1997 c)'An Evening with La Jeunesse Youth Orchestra' at the Capitol Theatre, April 28 2005 d) The Oriana Singers present 'Lest We Forget', at St. Paul's Presbyterian Church, Port Hope, November 7 1999 e) A promotional poster for a Friends of Music event

Sacred Heart Convent series
CA ON00279 F01-S124 · Reeks · 1914-2008

Series contains Sister Norita Keenan’s single page memoir, a postulant requirement list, souvenir booklet of the Diamond Jubilee, chaplain list, meal seating plan, farewell ceremony agenda and schedule, photographs, land and property maintenance receipts, property sketch, chronology of property transfers and sales, rededication ceremony program and speech, letter from General Superior to Sisters, decorative Christmas card and envelope with list of donors of a car, newspaper clippings, student created books, and Bach sheet music owned by Cesar Borre.

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CA ON00279 F01-S123 · Reeks · 1912-2008

The series contains correspondence, newsletters, photographs, scrapbooks, postcards, diagrams, clippings, bulletins, brochures, programs, song sheets, posters, publications, dramatic scripts, and reports. This material is related to the history of the third Mother House of the Sisters of St. Joseph in London, which was called Mount St. Joseph. There is information about the construction of the building and detailed information about its special features and decoration, including the Immaculate Conception Chapel, and its grounds, particularly the Grotto. The records also relate to planning the construction of, and move to, the Sisters’ residence in 2007, and the sale of the Mount St. Joseph building and property. There are records which reflect communal life in the convent, including the various organized groups, events, and dramatic and musical entertainment, and menus, meal planning, and recipes. The series contains records related to men religious who served at the Mother House, and other Diocesan correspondence. Information about both Fatima Hall and Ignatia Hall can be found, including the various uses of space in these buildings.

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Rosary Fallon
CA ON00279 F01-S098-01 · Deelreeks · 2008-2012
Part of Oral Histories and Autobiographies series

This sub-series contains records related to the life of Sister Rosary Fallon. In it are found the bound and draft memoirs of Sister Rosary including detailed personal accounts of her family and religious life. A newspaper clipping from the London Free Press mentions Sister Rosary Fallon and her musical talent, and contains information about her famous brother, Jack Fallon. He was known for his musical career both in Canada and abroad.

Sister Rosary Fallon, born Irene Josephine Fallon, whose autobiography is included in this series, was born in London, Ontario on August 2nd, 1917. At age 13, she joined her brothers in the Fallon Family Orchestra, where she performed throughout southwestern Ontario. She entered religious life on January 16th, 1937 and taught from 1942-1979. She continued to play music throughout her life, even playing the piano for weekly sing-a-longs at the new Motherhouse on Windermere Road in London. In addition to being a gifted musician, Sister Rosary was also a talented artist who painted more than 200 paintings. She was known to enjoy historical research.

Deane Cameron fonds
CA ON00353 AFC 370 · Archief · [192-]-2013, predominant 1970-2013

The fonds consists of materials related to Deane Cameron’s professional career in the Canadian music industry ,predominantly as President of EMI Canada and as a member of various national music associations and committees. It also consists of material relating to Cameron’s personal life, including correspondence, photographs and ephemera, much of which involves musicians or individuals in the music industry.

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Brad Brown fonds
CA ON00416 F09 · Archief · 1949 - 1954 ; 2014

Fonds consists of material of Brad's time as a student at Appleby College. In particular, it includes material pertaining to his time as a member of the school's Coronation Choir. Fonds consists of two series: Coronation choir and School days.

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Sister Cathleen Flynn series
CA ON00279 F01-S146 · Reeks · 1947-2017

The series contains photographs, biographical material pertaining to her election to General Council, her MA in Sacred Theology from Regis College in 1983, her Doctor of Ministry degree from Toronto School of Theology in 1990, her employment at Regis College as Director of the MA in Ministry and Spirituality Program, various news-clippings, a hand painted Feast Day album, a hand painted card from the Precious Blood Sisters in 1979, and various Jubilee memorabilia. The series also contains different versions of Sister Cathleen’s curriculum vitae, a report by her about a pilgrimage she made to Europe and the Holy Land, and a paper written about Sister Cathleen by her grandson, Brandon Graham, in 2017.

Much of this series is made up of reports to the General Chapter from various Sisters in 1979. There is extensive material on the topic of catechetics, religious education and the future for Sisters in parish ministry. In a letter to the Secretary of State, Vatican Apostolic College, Mother Mary Brendan reported on the success of literacy programs provided to Portuguese immigrants in London. A report from the Archdiocese in Edmonton describes the need for a five-year National Religion Program consisting of teams of Sisters providing instruction in Catholic schools, and the involvement of lay people to provide instruction to adults.

A report on the activities of the St. Joseph’s School of Music 1975-1979 discusses the renovation of the Recital Hall, instruction in piano, singing, violin and music theory for 390 students annually, participation in the Royal Conservatory of Toronto and the Western Conservatory, a scholarship fund, professional development for the Sisters and the hosting of and participation in local music festivals. A report by one Sister in April, 1979 expresses uncertainty as to the future of the music school.

In early 1979, Mother Mary Brendan wrote to Sisters across the country seeking their views in response to the promulgation of Vatican II, the Pastoral Constitution of the Church in the Modern World. One Sister wrote with concern for the socio-economic interests of the Third World and rising tensions within the Christian communities about how to respond. In another report, Sister St. Patrick Joyce outlined what were novel recommendations for the treatment of alcohol addiction and the concept of detoxification centres. Sisters committed to the continuation of work of the Boulee Street mission which served the needs of a low income neighborhood in London and support for those in jail. In another report, a Sister wrote on the topic of evangelization and Christian renewal in a climate of diversity, pluralism and the attraction to Eastern spiritual disciplines. In another report, one Sister called for an increased commitment to youth and adults through solid religious instruction and the teaching of prayer. There is also a survey, report, and recommendations prepared for the Most Reverend J.N. MacNeil by the Ad Hoc Committee for Pastoral Assistants in the Archdiocese of Edmonton, February 1979 outlining the scope of work and hiring of pastoral assistants to aid priests in their work.

On the topic of the higher incidence of divorce and the Marriage Tribunal, Sisters recommended that more women study, teach and write about the Canon law conventions and procedures in jurisprudence. There are several reports outlining emergent changes within the healthcare system related to governance, administration, funding, personnel, medico-moral issues, medical treatments, and technology. Sisters confirm there was a common need for continued pastoral care at the hospitals in London, Sarnia, and Windsor. It was observed that there were increasing needs for retreats for Sisters and lay volunteers offered by the Medaille House in London and for societal formation, or a reorientation to religious life.

This series contains sixteen speeches written by Mother Mary Brendan and a paper she wrote for the Synod on the role of religious women in the community through teaching, hospital care, administration, and social work. Certificates of her educational achievements and professional memberships dating from 1947 to 2001 are included along with a certificate she received with a medal from Queen Elizabeth.

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Michael Gallagher fonds
CA ON00159 P222 · Archief · n.d.; 1967-2018 (predominant 1975-1985)

Fonds Michael Gallagher consists of graphic material, textual records, sound recordings, video recordings and books documenting Michael Gallagher’s professional career. The majority of the materials are derived from Gallagher’s work for CANO musique, predominantly between the years 1975 to 1985, and reflect the breadth of the organization’s objectives, as well as Gallagher’s many roles within it. The fonds also contains some materials related to Gallagher’s time spent as a member of the Coopérative des artistes du Nouvel-Ontario (C.A.N.O.) in the years prior to CANO musique, as well as several graphic design projects undertaken after CANO musique dissolved.

The graphic materials in the fonds represent a significant body of work created by Michael Gallagher, mostly as photographer and artistic director of CANO musique. Photographic materials include images for CANO album covers, publicity photos of the band, shots of CANO in concert, as well as individual members of the band. Not only do these images show the change in members over time, they also document some of the recording studios and concert venues CANO played throughout the years. The fonds also contains numerous mock-ups for CANO albums, promotional materials, and posters, as well as original artwork of logos, reflecting the various steps in Gallagher’s creative process. Posters promoting CANO albums and specific concerts are also included. Additional visual concepts and designs created by Michael Gallagher for other Sudbury organizations are included in the fonds as well, such as posters, promotional material, and mock-ups for La nuit sur l’étang, Northern Lights Festival Boréal, and Théâtre du Nouvel-Ontario (among others).

In addition to graphic materials, the fonds also contains a number of textual records primarily related to CANO musique including correspondence to and from Michael Gallagher about the band, as well as records documenting the band’s history and lyrics, available in both English and French, showing the pride they took in reaching out to their fans in both official languages. Also included are a selection of Gallagher’s day planners, and administrative documents related to his role in CANO such as contracts and financial reports, through which a sense of CANO’s cooperative roots can be gleaned, as they outline stipulations such as equal sharing among members. Complementing these records is a thorough collection of newspaper and magazine clippings which provide a wealth of information about the band, as well as their reception throughout Canada and the United States.

The fonds also contains several other types of records, including 14 books, many of which are limited editions and contain personal inscriptions, four CANO 45 rpm singles, an English version of the album Au nord de notre vie, and a VHS tape of the National Film Board of Canada’s documentary CANO, Notes sur une expérience collective. These records further serve to position Michael Gallagher within the extremely active network of Franco-Ontarian authors and artists in Northern Ontario during the 1970s and 80s, as well as highlight CANO’s prominent place within that community.

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John Doerr fonds
CA ON00159 P221 · Archief · 1973-2018

The John Doerr fonds documents Doerr’s professional life as a musician, composer, music producer, and administrator. The completeness of the files not only highlights Doerr's accomplishments and activities, but they also depict the path of the group CANO musique.

Composed of the files of the various administrators of CANO musique, namely John Doerr, André Paiement, and Gary McGroarty, the files cover the legal aspect of managing a music group and its financial administration. The files thus deal with promotion, production of concerts and LPs, and the creation of music and lyrics, and range from Doerr’s early involvement with the group CANO musique to the group’s dissolution and the subsequent founding of Majoma Music.

The John Doerr fonds not only attests to Doerr’s different roles, creations, and achievements within CANO musique but it also provides an overview of the different administrative and managerial aspects of a music group during the time period of 1975 to 1985. Moreover, the fonds documents the different processes, procedures, and interactions with records companies, as well as marketing and promotional strategies in those years.

John Doerr’s role as administrator of CANO’s financial records is well documented in the fonds. Doerr took over the responsibility of the accounts after André Paiement’s passing, at which time the records of 1975-1978 were transferred to him.

The financial records consist mostly of bank statements, budgets, expenditures, expenses and incomes, correspondence, and monthly royalty statements. The files provide insight into the operating cost for concerts and touring, as well as the cost associated with activities such as recording, rehearsals, buying instruments, and insurance payments. The files also attest to group’s organising and functioning as a cooperative. While the monthly statements for the royalties list each song and the amount received for each, it also indicates the popularity of their songs in a specific time frame. Some of the correspondence informs us on the contracts and agreements with recording companies, touring and festival organisations and on applications/bids to be part of festivals like the Ontario Bicentennial tour or representing Canada in Japan. It also attests to bids for different services they offered like staging, sound equipment, and music production.

The creation aspect is documented by the music scores, lyrics and correspondence which inform us more specifically on John Doerr as a musician, composer and producer. Indeed, music scores of many of the CANO songs – some with notations – provide insights on the process of collective creation of the music and lyrics and also on the translation of the lyrics. While some music scores are specifically for the parts of bass guitar, some are film scores. Doerr and Aymar composed music and produced the scores for films, as well as theme songs for programs like Légalement parlant or Great Movies (CityTV). A rough draft of video shooting images with notes to synchronize the music depicts part of the process for this type of composition. Also included are some texts of introductions of members of the group used during concerts, with notations on music to be played, the mood, and even the staging of the musicians. The fonds also contains some of Doerr’s diaries with notes on the rehearsals, tours and daily activities.

Many files document projects undertaken by the group after their dissolution. While not all projects were carried out, the fonds contains extensive documentation and correspondence on certain projects, such as agreements for the production of the CANO album The Millennium Collection: The Best of/Les Meilleurs Succès CANO, and the different agreements with all the partners in the realization of the project. Transcriptions of interviews with some of the members of CANO who talk of their time with the group and different events can also be found in the files on “CANO project,” as well as correspondence from fans, and pictures taken by fans during CANO concerts.

The fonds also contains Gary McGroarty’s files, who was the manager of the group. He turned these files over to John Doerr when he left the group. These files consist mostly of contracts with recording companies, the legal documents on the ownership of copyright for CANO songs and also for the different concerts. Membership, registration, payments made to different associations and unions as well as correspondence with these organizations are also found within those files. Some scheduling for rehearsals and traveling are also included. Marketing and promotional materials consisting of correspondence, opinions sent to specialized magazines, newspapers, press kits and also promotional materials such as cards, posters, letterhead with the official CANO logo illustrate some of the different marketing strategies used by the group.

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Ephemera Collection
Collectie · 1865-2018

Collection consists of items of collectible memorabilia significant to the history of Trinity College School.

Included are calendars, stationery, postcards, textiles, trophies, athletics equipment, dining and serving ware, slates, jewelry, medals, and musical instruments.

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Musical instruments
Reeks · [19-]
Part of Ephemera Collection

Series includes musical instruments associated with Trinity College School.

Included are a trumpet and a trombone.

Opera Laurier fonds
CA ON00362 RG-103 · Archief · 1971-2022

Fonds contains records relating to Opera Laurier performances including programs, promotional material, planning material, audio recordings and video recordings.
For many performances, the records include production books outlining stage blocking, lighting cues and other information as well as annotated scores.

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Photographs

Photographs are divided into seven subseries:
A - Architecture
B - Arts (Theatre, music, dance, arts, crafts)
C - Business & industry
D - Churches
E - Communities in Northwestern Ontario
F - People, families, & genealogy
G - Organizations

Miscellaneous

Articles, clippings, research notes, correspondence, copies of organizational minutes, diaries, and other materials not categorized elsewhere in the TBFCHS collection. Includes materials related to the Finnish Building Company, Otava Male Choir, and a diary of the Finnish Civil War.

Bay Street Project

Records and reference material from five major research projects sponsored by the Finlandia Club and other organizations.

  • Bay Street Project I: A study of Finnish immigration to Canada
  • Bay Street Project II: A study of Finnish settlements in the rural Thunder Bay District
  • Bay Street Project III: A study of sports and athletics in the Finnish community in Thunder Bay
  • Bay Street Project IV: A study of religion and churches in the Finnish community in Thunder Bay
  • Bay Street Project V: A study of the arts in the Finnish community in Thunder Bay, including literature, theatre, and music