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Fonds consists of business records of The Isaacs Gallery (TIG) (1942-1991), consisting of correspondence, exhibition catalogues, mailings and financial records (1984-1986); artist files (1961-1988), consisting of correspondence, biographical sketches, press clippings, and other material relating to artists represented by Isaacs (e.g., Dennis Burton, Graham Coughtry, William Kurelek, Michael Snow and Joyce Wieland) and some who were not represented by him; artist portfolio files (1955-1988), consisting of press clippings and catalogues of their works; and promotional files (ca. 1960-1989) relating to the Isaacs Gallery.

Fonds consists of records of the artistic and academic career of Barbara Astman, chiefly in Toronto from the 1960s to the first decade of the 21st century, including photographs of her projects and exhibitions, correspondence and textual documentation of projects, personal and other photos and journals, and some audiovisual materials.

The fonds consists of material that documents Godard's professorial career and includes thesis advisory files, general correspondence, letters of recommendation, lecture notes, conference material, minutes and reports related to various departments and committees that she was involved with and additional material related to her work with the Canadian Federation of Humanities and to her work as editor of the "Bibliography of feminist criticism," "Gynocritics" among other publications. It also includes notes and drafts of her own writing including her undergraduate and graduate research, articles, book reviews, conference papers, drafts of her translations and a collection of chap books and broadsheets accumulated over the course of her career.

The fonds consists of correspondence, notes, and notebooks concerning university courses taught by Barry Cooper and his academic career at York, 1965-1981. There is also personal correspondence, 1965-1966; typescripts and printed articles, and the manuscript of a book on Maurice Merleau-Ponty.

Fonds consists of records, including baptisms, 1901-2002, marriages, 1898-1917 and 1936-1981, and burials, 1901-1924 and 1936-1976, of Bathurst Street United Church in Toronto (includes Bathurst Street Methodist Church and Zion Methodist Church), 1884-2008; and records of the Bathurst Community Club.

Fonds consists of records of Bellefair Methodist Church (includes Beach Methodist Church), 1905-1925; records of Kew Beach Presbyterian Church, 1895-1924; records, including baptisms 1910-2007, marriages, 1910-2006, and burials 1910-2007 of Bellefair United Church in Toronto (includes Bellefair Methodist Church), 1910-2007; records, including baptisms, 1930-2007, marriages, 1940-2007 and burials, 1967-2007, of Kew Beach United Church (includes Kew Beach Presbyterian Church), 1924-2007; records of Beach United Church (includes Bellefair and Kew Beach), 2007-2011.

Fonds consists of annual reports of Bedford Park Presbyterian Church, 1922-1924; records, including baptisms, 1922-1953, marriages, 1926-1952, and burials, 1947-1977 of Bedford Park United Church, 1922-2013

Fonds consists of records, including baptisms, 1880-1882, of Berkeley Street Methodist Church, Toronto, 1839-1924; and records, including baptisms, 1918-1952, marriages, 1918-1956, burials, 1915-1953, of Berkeley Street United Church, Toronto (includes Berkeley Street Methodist Church), 1904-1956.

The fonds documents Bernard Ostry's education and personal life as well as his activities as public servant and author for the period 1940-1990.

Fonds consists of records created by Bernard Zukerman in his capacity as producer. No personal records are contained herein. Records include: research notes, correspondence, screen plays, draft notes, shot lists, cast lists, crew lists, shooting schedules, as well as copies of scripts sent to Zukerman for his consideration.

Fonds consists of deed, 1851, Sunday School records of Bethel Primitive Methodsit Church in Scarborough: class books, 1859-1878 (15 booklets); minute books, 1874-1879 ; and library register, 1863-1875.

Fonds consists of records, including baptisms, 1952-2007, marriages, 1954-2006, and burials, 1954-2009, of Beverley Hills United Church, 1952-2011.

The fonds mainly documents bill bissett's activities as poet, visual artist, musician, and editor of Blewointment Press. The fonds consists of the following series: Personal papers, 1948-1999; Professional papers, 1962-1992; Material by and about others, 1967-1992; Photographs, 1962-1992; Memorabilia; Sound recordings, 1967-1992.

Fonds consists of records of Birchcliff Union Congregational Church, 1919-1925; records of First United Church, Scarborough, 1921-1951; records of Birch Cliff United Church 1919-2004; records, including baptisms, 1919-1954, marriages, 1920-1945, 1960-2003, and burials, 1919-1958, of Birchcliff Heights United Church, 1916-2003.

Fonds consists of records, including baptisms, 1887-1920, marriages, 1896-1924, of Bloor Street Presbyterian Church, Toronto, 1886-1924; and records, including baptisms, 1920-1992, marriages, 1924-1998, and burials, 1919-1989, of Bloor Street United Church (includes Bloor Street Presbyterian Church), 1908-1998.

The records comprising the Bone Family fonds, MG 7, are arranged and described at the series and sub-series levels and consist of 15 cm of material including prize ribbons, badges, printed material, correspondence, certificates, photographs, and a commemorative sign. The records document the involvement of Percy Bone and W. Arthur Bone in the Canadian National Exhibition Association and their ties with the Horticultural programme of the annual CNE. The fonds consists of two sous-fonds reflecting the fact that two individuals were responsible for the creation of the fonds as a whole: the late Percy Bone, and his son W. Arthur Bone.

Within the Percy Bone sous-fonds, there are four series: Prize Ribbons, MG 7-1-1; CNE Files, MG 7-1-2; Certificates, MG 7-1-3; Badges, MG 7-1-4. Comprising the W. Arthur Bone sous-fonds are three series: CNE Files, MG 7-2-1; CNE Committee Badges, MG 7-2-2; Tree Planting Sign, MG 7-2-3. A logical arrangement has been imposed on the material as it lacked any discernible original order.

Of special interest are the badges received by Percy Bone as a Director of the CNE and those acquired as a member of the CNE's Women's Committee. Also significant are the photographs and commemorative sign given to Arthur Bone as keepsakes of the 1973 tree planting ceremony in memory of Percy Bone.

The fonds consists of material that documents Pittman's work in film and television and includes scripts, storyboards, correspondence, financial records, publicity material, shooting schedules, edit sheets, research material, grant applications and other related material. It includes photographs taken during the production of a number of his films and audio-visual records in various formats that document the various stages in the making of film and television productions with which Pittman was involved. There is considerable material relating in particular to "Shattered City". The fonds also includes a series of audio recordings of interviews conducted by Pittman for "Saturday Night at the Movies" with film directors including Bernardo Bertolucci, Robert Altman, and Norman McLaren among others.

The fonds consists of correspondence, minutes, reports, financial records, and Bryce M. Taylor's related material of the XV Olympic Winter Games Organizing Committee, and the Canadian Olympic Association, (1983-1988), detailing the planning for the 1988 Calgary Winter Olympics. It also includes material from the National Advisory Council on Fitness and Amateur Sport, including correspondence, minutes of meetings, annual reports, (1986-1987). In addition, there is material from the Canadian Gymnastics Association, (1975), and proposals for athletic programmes at York University, including a proposal for football (1967).

Correspondence & invoices representing business dealings.