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The fonds documents the Canada Dance Festival's operational and administrative activities. Records consist of financial records and contracts; grant applications, sponsorship and fund raising files; correspondence and other administrative records including reports; and publicity, special event and marketing records. Also included are posters used in the advertising and marketing of the festival.

The fonds consists of manuscript and typescript drafts of Eliza Clark's work, personal and professional correspondence, copies of articles by or about Clark and other material that documents her career as a writer.It has been arranged into the following series: Fonds is comprised of the following series: S00207 Correspondence and subject files S00208 Writing files

The fonds consists of material that documents Godard's professorial career and includes thesis advisory files, general correspondence, letters of recommendation, lecture notes, conference material, minutes and reports related to various departments and committees that she was involved with and additional material related to her work with the Canadian Federation of Humanities and to her work as editor of the "Bibliography of feminist criticism," "Gynocritics" among other publications. It also includes notes and drafts of her own writing including her undergraduate and graduate research, articles, book reviews, conference papers, drafts of her translations and a collection of chap books and broadsheets accumulated over the course of her career.

The fonds consists of typescripts for two works by the Clara McCandless Thomas and John Watt Lennox: one is the typescript of their work, 'William Arthur Deacon: a Canadian literary life,' with editorial changes in pencil, and the second is a chapter titled, 'A sense of belonging,' a study of the Canadian Authors Association, that was eventually incorporated into the Deacon book. Deacon was literary critic for the 'Mail and empire', (later the 'Globe and mail') and 'Saturday night magazine'. There are also computer printouts of index lists generated for the book on Deacon.

Fonds consists of archival holdings that document the history of The National Ballet of Canada from 1951 to the present, and include press clippings, programmes, posters, photographs, videos and costumes, as well as materials referring to dance in general, both in Canada and internationally. The Erik Bruhn Library also provides a valuable on-site reference resource, with over 950 volumes pertaining to dance and related subjects.

Fonds consists of the following series:
Publicity Department records
Artistic Department records
Production Department records
Administration records
Historical records
Marketing Department records
Development Department records
Education Department records
Biographical information records
Other Company records
Clippings
Scrapbooks
Photographs
National Ballet School records
Engagement records
Posters
Visual recordings
Sound recordings
Archives Department records
The International Competition for The Erik Bruhn Prize records
Volunteer Committee records
Ballet Opera House records
General Manager records
Arts Councils and government funding records
Repertoire notes
Ephemera
Company management records

Fonds consists of personal and professional records created by Gilbert and Stewart Bagnani and their families, chiefly in Europe, North Africa, and Canada, for the most part between ca. 1910 and 1955, comprising photographs of Gilbert Bagnani's travels and archaeological work in Italy, Greece, Turkey, Libya and Egypt in the 1920s and 1930s; a motion picture of his activities in and around Tebtunis in Egypt in 1934; correspondence between the Bagnanis themselves, Gilbert Bagnani's mother Florence Bagnani and other family members; photos of the families of Gilbert and Stewart Bagnani, including 19th-century photo portraits of their Dewar, Houston, and Robinson relatives; a collection of copy prints and glass slides of art and antiquities used by Dr. Bagnani in his university teaching; audio recordings of Dr. Bagnani lecturing; albums of clippings and memorabilia of family and social events; miscellaneous printed, typescript and manuscript items; photos of the Bagnanis at Trent University in the 1980s; an album of postage stamps; and other material.

Contains series:

1. Correspondence
2. Family photographs
3. Archaeological and travel photographs
4. Art history images
5. Albums and scrapbooks
6. Miscellaneous records

Fonds consists of material documenting Gallery 44 Centre for Contemporary Photography as a gallery and provider of educational programming and facilities to support photographic artists, including photographs, slides, exhibition invitations, exhibition catalogues, posters, newspaper clippings and notebooks.
Contains series:

1. Exhibition publicity
2. Board of Director files
3. Financial records
4. Grant applications
5. Administration files

Fonds consists of records relating to the life and work of Florence Vale. Textual materials include correspondence, records of exhibitions, and documentation of her artwork. Visual materials include photographic documentation of the artist, her family, friends, and her work; drawings, etchings, rugs, and box construction art pieces and dolls. Also includes are media materials in the form of audio reels and a videocassette.
Contains series:

1. Documentation of Artwork
2. Publicity Materials
3. Correspondence
4. Photographs
5. Drawings and Etchings
6. Poems by Florence Vale and Others
7. Artist’s bookworks
8. Audio reels of the singing and poetry readings of Florence Vale
9. Video Documentary on Florence Vale
10. Dolls and Box Constructions
11. Rugs

Collection consists of audio recordings of interviews with individuals who were active in the Toronto visual art community during Robert Markle’s lifetime, art historians, and friends and family of Robert Markle. Collection also includes two notebooks containing transcriptions and notes. Interviews were created and used in the process of researching Blazing Figures: A Life of Robert Markle. Collection includes interviews with Harvey Cowan, Jack Foster, Anna Hudson, Avrom Isaacs, Craig Kenny, Mitchell Maracle, Susan Maracle, Marlene Markle, Tim Noonan, Gordon Rayner, John Reeves, Richard Gorman, Ruth Grogan, Nobuo Kubota, Don Obe, Helen & Marty Poizner, Michael Sarrazin, Peter Stollery, Hana Trefelt, Michael Snow, Patrick Watson, Paul Young, Jack Aldersley, Kenny Baldwin, Patricia Beatty, Laura Berman, Sheryl Wanagas, Dennis Burton, Vera Frenkel, Ray Hanson, Tom Hill, Jerri Johnson, Rae Johnson, Emmett Maddix, Scott Townson, Murray McLauchlan, Stephen Williams, Gordon Lightfoot, Dennis Reid, Peter Goddard, and Diane Pugen. The collection is arranged in a single series.

Collection consists of posters designed by Will Munro for events organized by him at various venues in downtown Toronto. Posters employ a variety of media and processes, including silkscreen and photocopies. Some of these posters were featured in Will Munro: Total Eclipse, July 31 – September 26, 2010, part of the Toronto Now series of exhibitions at the AGO. Silk-screening of many of the posters was carried out by Michael Comeau.
Contains series:

1. Vaseline / Vazaleen / Vazoween posters
2. Peroxide posters
3. Moustache posters
4. 7th Heaven posters
5. Miserable Mondays posters
6. NO T.O. posters
7. Posters for various events at The Beaver Restaurant

The fonds documents the activities of Claire Coates as a member, director and vice-president of the Canadian National Exhibition Association, and her participation on various CNEA committees.

The fonds is divided into two series. MG 1-0-1, Committee files, consists of agendas, minutes, correspondence, and support material of the Archives and Foundation Committee, Arts, Crafts and Hobbies Committee, Feature Country Committee, Program Development and Review Committee, Horticulture Advisory Committee, Long-Range Planning and Development Committee, and Women's Committee, committees on which Claire Coates served.

Series MG 1-0-2, Artifacts, consists of 17 CNE badges, presented to Claire Coates in her capacity as a member of the Canadian National Exhibition Association, Women's Committee, and as an associate director, director and vice-president, and 14 lapel pins issued by the CNE.

Fonds consists of files relating to Larry Zolf's activities as journalist and writer and to his career with the Canadian Broadcasting Corporation. The fonds includes personal and professional correspondence, drafts of television programs, magazine articles, dramatic works and reviews, notebooks, research files, diaries and financial records. It also includes draft manuscripts, research material, and correspondence related to his books "Dance of the dialectic," "Just watch me : remembering Pierre Trudeau," "Scorpions for sale," "Zolf," and "The Dialectical dancer," as well as for his online column, "Inside Zolf."

Fonds consists of personal and professional correspondence, clippings, programmes and related material that document Grossman's career as a dancer with the Paul Taylor Dance Company as well as the founding of the Danny Grossman Dance Company. It also includes contracts, grant applications and other financial records, citizenship papers, passports and other collected ephemera.

The fonds documents Bernard Ostry's education and personal life as well as his activities as public servant and author for the period 1940-1990.

Fonds consists of manuscript and typescript copies of Adele Wiseman's work, clippings and reviews pertaining to her books, personal and business correspondence, financial records, photographs, subject files and manuscripts of work by others and other material pertaining to her career as a writer, teacher and social worker. Fonds is comprised of the following series: Writing files Business correspondence Wiseman family files General correspondence Financial records Subject files Works by others Academic and teaching files Journals, notebooks and address books Loons files Audio-visual records

The fonds consists of notes, drafts and research material related to the publications "The edge of the world," "Emma's dead," "Headstand," "If I knew I'd tell you," "Lovers and other strangers," "Mixed-up grandmas," "The adultery handbook," "Colville's People" and "Cathedral Women." It also includes personal and professional correspondence, clippings of stories about Malyon and/or reviews of her work, lecture notes, grant applications, writer-in-residence application as well as other material that documents her career as a writer.

Fonds consists of drawings, watercolours and designs of A. H. Howard produced in Toronto between 1880 and 1914, especially in the sketchbooks in which Howard drew Ontario landscapes and towns, flowers, trees, human figures, factory interiors and other subjects. Similar drawings and watercolours are contained in two albums and a portfolio. Also included are examples of his decorative and calligraphic work from illuminated presentation addresses, certificates, bookplates and other materials.
Contains series:

1. Portfolio and albums
2. Sketchbooks
3. Decorative designs and drawings

Fonds consists of documentation of Colette Whiten’s artistic career, including records of exhibitions, commissions, grants, awards, and experiments with materials. Documentation of Whiten’s public art collaborations with Paul Kipps is included. Fonds also includes records of Whiten’s teaching activity at several different institutions, including the Ontario College of Art.
Contains series:

1. Colette Whiten’s files
2. Teaching files
3. Documentation of art works
4. Project boxes
5. Experimental work and material samples
6. Publicity material
7. Personal / other photo documentation

Fonds consists of personal and professional records of Michael Bidner, primarily created during the mid-
1970s to 1989. Files pertain to various projects during Bidner’s artistic career and include working files,
artwork, the artist’s publications, correspondence, ephemera, photographs and slides.