Colección F2311 - Earle Grey Players

Open original Objeto digital

Área de título y declaración de responsabilidad

Título apropiado

Earle Grey Players

Tipo general de material

  • Textual record
  • Object

Título paralelo

Otra información de título

Título declaración de responsabilidad

Título notas

Nivel de descripción

Colección

Institución archivística

Código de referencia

CA ON00335 F2311

Área de edición

Declaración de edición

Declaración de responsabilidad de edición

Área de detalles específicos de la clase de material

Mención de la escala (cartográfica)

Mención de proyección (cartográfica)

Mención de coordenadas (cartográfica)

Mención de la escala (arquitectónica)

Jurisdicción de emisión y denominación (filatélico)

Área de fechas de creación

Fecha(s)

  • 1949-1994 (Criação)
    Creador
    Earle Grey Players

Área de descripción física

Descripción física

3 cm of textual records
1 artefact

Área de series editoriales

Título apropiado de las series del editor

Títulos paralelos de serie editorial

Otra información de título de las series editoriales

Declaración de responsabilidad relativa a las series editoriales

Numeración dentro de la serie editorial

Nota en las series editoriales

Área de descripción del archivo

Nombre del productor

(1946-1959)

Historia administrativa

For two nights in June 1946, the Earle Grey Players staged a production of Shakespeare’s <i>Twelfth Night</i> on the north terrace of the Trinity College quadrangle with the support of the Provost of Trinity College Dr. R.S.K. Seeley. The company of players was founded by Earle Grey and his wife Mary Godwin, British actors with a wealth of theatrical experience who moved to Canada in the early 1940s. They established the Earle Grey Players with the goal of cultivating an appreciation for Shakespeare in Canada and presenting Shakespeare’s plays in a way closely aligned with the original spirit and intent of the playwright. The critical success of <i>Twelfth Night</i> led to productions in other locations and in the following summer of 1947, audience demand resulted in the presentation of <i>A Midsummer Night’s Dream</i> for five nights at Trinity College. Also in 1947, plays were staged at Central High School of Commerce which initiated a series of school productions in support of the founders desire to bring the stimulation and excitement of Shakespearean drama to school audiences.

On June 27th, 1949, at Trinity College, the Earle Grey Players opened the first official Shakespeare Festival with a production of <i>As You Like It.</i> Revealing the significance of the event for the cultural life of Toronto, the festival was opened by the Lieutenant-Governor of Ontario and Mrs. Ray Lawson and had the backing of City Council and tourist associations as well as growing press coverage. With the broader goal of representing Shakespeare’s time, free Elizabethan music concerts using period instruments were added to the festival programme as well as an exhibit in the Trinity College Entrance Hall of books and prints relating to Shakespeare. In support of the Shakespeare Festival, both the Royal Ontario Museum and the Toronto Art Gallery put on exhibits and displays of pottery, furniture, costumes, photographs and prints relevant to Shakespearean times.

In 1950 four comedies were produced at the Festival and the Earle Grey Players expanded their tour of Shakespearean productions to other locations and high schools. In 1951, the Trustees of Shakespeare’s Birthplace (Stratford-Upon-Avon) presented a mulberry tree to the Festival which was planted in the Trinity quadrangle. By 1951 there was a growing wardrobe department under the direction of former Hart House Theatre Designer and Assistant Director Mabel Letchford who developed an extensive Elizabethan wardrobe including articles donated by renowned English actors. As news of the Festival’s existence had travelled to England, donations of theatrical suits of armour and other items began to arrive.

The first effort to present a Shakespearean tragedy was in 1952. <i>Julius Caesar</i> was presented to great acclaim. With audiences continuing to grow, the Earle Grey Players took Shakespeare’s plays to more than 24 high schools. For the 1952 season the Festival displayed a rare First Folio of Shakespeare’s plays printed in 1623, a donation from the Folger Library in Washington and the first instance of a First Folio on Canadian soil.

By 1953 and 1954, the Festival had expanded to five weeks of productions, a more permanent stage had been built, well known musicians were playing in the free Elizabethan music concerts, and the Earle Grey Players toured schools in locations as far away as the Maritimes. The school tours were arguably the most valuable contribution of the Earle Grey Players as they provided students with their first opportunity to see live performances of Shakespeare’s plays. By 1956, the school tours function of the Earle Grey Players required the Players to undertake 10 weeks of travel through Ontario’s smaller towns.

The Earle Grey Players Shakespeare Festival was produced annually until 1959, when renovations at Trinity College necessitated finding a new home for the festival. When nothing materialized, Mary Godwin and Earle Grey returned to England and continued acting until their respective deaths in 1971 and 1978.

Historial de custodia

Collection created by archivist from various small accessions

Alcance y contenido

The Earle Grey Players Collection consists of programmes and brochures for the annual Shakespeare Festival held at Trinity College, historical information on the founding and development of the Shakespeare Festival, and ephemera related to the Festival, including a bronze plaque commemorating the location of a mulberry tree grown from a tree in Shakespeare’s birthplace Stratford-on-Avon.

Área de notas

Condiciones físicas

Origen del ingreso

Arreglo

Arranged by archivist.

Idioma del material

Escritura del material

Ubicación de los originales

Disponibilidad de otros formatos

Restricciones de acceso

Open

Condiciones de uso, reproducción, y publicación

Public Domain

Instrumentos de descripción

Materiales asociados

Materiales relacionados

Acumulaciones

Identificador/es alternativo(os)

Área de número estándar

Número estándar

Puntos de acceso

Puntos de acceso por materia

Puntos de acceso por lugar

Puntos de acceso por autoridad

Tipo de puntos de acceso

Área de control

Identificador de registro de descripción

Identificador de la institución

Reglas o convenciones

Estado de elaboración

Nivel de detalle

Fechas de creación, revisión o eliminación

Idioma de descripción

Escritura de la descripción

Fuentes

Objeto digital (Ejemplar original), área de permisos

Objeto digital (Referencia), área de permisos

Objeto digital (Miniatura), área de permisos

Área de Ingreso

Materias relacionadas

Personas y organizaciones relacionadas

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